
Christ and the Two Thieves Crucified
Michelangelo Buonarroti (d. 1564)
ca. 1560–70 · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
208 ms. The Metropolitan Museum of Art, Collection API (Open Access)
289 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Christ and the Two Thieves Crucified
Michelangelo Buonarroti (d. 1564)
ca. 1560–70 · Bronze
Cleared · Public Domain
live
Pocket watch
Robert Roskell (d. 1830)
1820–21 · Case: gold; Dial: gold with gold and steel hands; Movement: partly gilded brass, partly blued steel, and diamond
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Occupation des représentans..., from Physionomie de l'Assemblée, published in "Le Charivari"
Honoré Daumier (d. 1879)
November 10, 1849 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Samuel John Carter (d. 1892)
1871–75 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Physionomie des Modes, from L'Artiste, Toilette de campagnie, September, 1840
Paul Gavarni [Chevalier] (d. 1866)
19th century · Watercolored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costumes Parisiens 141: Robe de duvetyn amadou; paletot bordé de renard
H. Honoré
1914 · plates: hand colored engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.