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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    454 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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1 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Piazza San Marco, Venice"7 records

Institutions answered newest-first by record, interleaved

Piazza San Marco, Venice by Francesco Guardi, The Cleveland Museum of Art

Piazza San Marco, Venice

Francesco Guardi (d. 1793)

1780s · Drawing, pen and brown ink, brush and brown wash, with brush and gray wash (possibly chalk) and traces of black chalk, framing lines in brown and black ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Piazza San Marco, Venice by Bernardo Bellotto, The Cleveland Museum of Art

Piazza San Marco, Venice

Bernardo Bellotto (d. 1780)

c. 1740 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto) by Francesco Guardi, The Cleveland Museum of Art

A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto)

Francesco Guardi (d. 1793)

1782 · Drawing, pen and brown ink with brush and brown wash

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto); Three Sketches of Arches (verso) by Francesco Guardi, The Cleveland Museum of Art

A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto); Three Sketches of Arches (verso)

Francesco Guardi (d. 1793)

1782 · Drawing, pen and brown ink with brush and brown wash

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Venice: Saint Mark's Looking toward San Giorgio Maggiore, in Moonlight by Carlo Naya, The Cleveland Museum of Art

Venice: Saint Mark's Looking toward San Giorgio Maggiore, in Moonlight

Carlo Naya (d. 1882)

c. 1870 · Photograph, albumen print

Cleared · CC0

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Cleveland Museum of ArtSimilar
Three Sketches of Arches (verso) by Francesco Guardi, The Cleveland Museum of Art

Three Sketches of Arches (verso)

Francesco Guardi (d. 1793)

1782 · Drawing, pen and brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Piazza San Marco, Venice by Frank Duveneck, The Cleveland Museum of Art

Piazza San Marco, Venice

Frank Duveneck (d. 1919)

1883 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.