
Funerary Cone of the Festival Leader of Amun Tjata
Unrecorded maker
ca. 1550–1300 BCE · Pottery
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
161 ms. The Metropolitan Museum of Art, Collection API (Open Access)
261 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 610 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Funerary Cone of the Festival Leader of Amun Tjata
Unrecorded maker
ca. 1550–1300 BCE · Pottery
Cleared · Public Domain
live
Design for Festival Decorations on the Bases of Piers
Carlo Marchionni (d. 1786)
1702–86 · Pen and brown ink, brush and gray wash, over black chalk
Cleared · Public Domain
live
Festival Overcoat
Unrecorded maker
18th century · Silk and metallic thread embroidery on silk satin
Cleared · Public Domain
live
Festival Robe
Unrecorded maker
second half of the 18th century · Silk and metallic thread embroidery on silk satin
Cleared · Public Domain
live
Festival Robe
Unrecorded maker
18th century · Silk, metallic thread, and peacock feather filament embroidery on silk satin
Cleared · Public Domain
live
Pichhwai for the Festival of Cows
Unrecorded maker
late 18th century · Painted and printed gold and silver leaf and opaque watercolor on indigo-dyed cotton
Cleared · Public Domain
live
Eaves Decorated with Irises for the Tango Festival
Kikuchi Yōsai (d. 1878)
dated 1867 · Hanging scroll; ink and color on silk
Cleared · Public Domain
live
Festival coat with dragon
Unrecorded maker
1912 · Cotton tabby, resist dyed and painted
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Representation of the Festival for the Return of Peace
William Johnstone White (d. 1870)
1814 · Aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Three Cows
Sir Francis Seymour Haden (d. 1910)
1877 · Drypoint; second state of two (Harrington); sixth state of seven (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Four Cows
Sir Francis Seymour Haden (d. 1910)
1882 · Etching with drypoint; first (final) state (Harrington); second state of three (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Four Cows
Sir Francis Seymour Haden (d. 1910)
1882 · Etching with drypoint; first (final) state (Harrington); second state of three (Schneiderman)
In copyright
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