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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    161 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    261 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 610 matching records exist across the two collections.

Results for "Pichhwai for the Festival of Cows"12 records

Institutions answered newest-first by record, interleaved

Funerary Cone of the Festival Leader of Amun Tjata by an unrecorded maker, The Metropolitan Museum of Art

Funerary Cone of the Festival Leader of Amun Tjata

Unrecorded maker

ca. 1550–1300 BCE · Pottery

Cleared · Public Domain

live
The MetSimilar
Design for Festival Decorations on the Bases of Piers by Carlo Marchionni, The Metropolitan Museum of Art

Design for Festival Decorations on the Bases of Piers

Carlo Marchionni (d. 1786)

1702–86 · Pen and brown ink, brush and gray wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
Festival Overcoat by an unrecorded maker, The Metropolitan Museum of Art

Festival Overcoat

Unrecorded maker

18th century · Silk and metallic thread embroidery on silk satin

Cleared · Public Domain

live
The MetSimilar
Festival Robe by an unrecorded maker, The Metropolitan Museum of Art

Festival Robe

Unrecorded maker

second half of the 18th century · Silk and metallic thread embroidery on silk satin

Cleared · Public Domain

live
The MetSimilar
Festival Robe by an unrecorded maker, The Metropolitan Museum of Art

Festival Robe

Unrecorded maker

18th century · Silk, metallic thread, and peacock feather filament embroidery on silk satin

Cleared · Public Domain

live
The MetSimilar
Pichhwai for the Festival of Cows by an unrecorded maker, The Metropolitan Museum of Art

Pichhwai for the Festival of Cows

Unrecorded maker

late 18th century · Painted and printed gold and silver leaf and opaque watercolor on indigo-dyed cotton

Cleared · Public Domain

live
The MetSimilar
Eaves Decorated with Irises for the Tango Festival by Kikuchi Yōsai, The Metropolitan Museum of Art

Eaves Decorated with Irises for the Tango Festival

Kikuchi Yōsai (d. 1878)

dated 1867 · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Festival coat with dragon by an unrecorded maker, The Metropolitan Museum of Art

Festival coat with dragon

Unrecorded maker

1912 · Cotton tabby, resist dyed and painted

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Representation of the Festival for the Return of Peace

William Johnstone White (d. 1870)

1814 · Aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Three Cows

Sir Francis Seymour Haden (d. 1910)

1877 · Drypoint; second state of two (Harrington); sixth state of seven (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Four Cows

Sir Francis Seymour Haden (d. 1910)

1882 · Etching with drypoint; first (final) state (Harrington); second state of three (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Four Cows

Sir Francis Seymour Haden (d. 1910)

1882 · Etching with drypoint; first (final) state (Harrington); second state of three (Schneiderman)

In copyright

live
The MetSimilar

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