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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    189 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    483 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6,402 matching records exist across the two collections.

Results for "Pierre Drops In"12 records

Institutions answered newest-first by record, interleaved

Watch by Pierre Duhamel, The Metropolitan Museum of Art

Watch

Pierre Duhamel (d. 1686)

ca. 1660–80 · Case: painted enamel on gold; Movement: gilded brass and steel, partly blued

Cleared · Public Domain

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The MetSimilar
Funerary Scene in a Temple by Pierre Moreau, The Metropolitan Museum of Art

Funerary Scene in a Temple

Pierre Moreau (d. 1798)

ca. 1760 · Etching

Cleared · Public Domain

live
The MetSimilar
Las Meninas: the family of Philip IV in the foreground with the Infanta Margarita in the centre, Velázquez standing painting at left, the King and Queen reflected in the mirror in the background by Pierre Audouin, The Metropolitan Museum of Art

Las Meninas: the family of Philip IV in the foreground with the Infanta Margarita in the centre, Velázquez standing painting at left, the King and Queen reflected in the mirror in the background

Pierre Audouin (d. 1822)

1799 · Engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Havana, in Amerique

Pierre Mortier (d. 1711)

1690–1710 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mexico, in Amerique

Pierre Mortier (d. 1711)

1690–1710 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Quebec, in Amerique

Pierre Mortier (d. 1711)

1690–1710 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. Augustine, Florida, in Amerique

Pierre Mortier (d. 1711)

1690–1710 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Rene Francois de Beauvau

Pierre Drevet (d. 1738)

1727 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

More Drops in the Bucket

Thomas Nast (d. 1902)

1893 · Electrotype proof of a drawing, proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pierre Drops In

John Sloan (d. 1951)

1903 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pierre Vidal

Marie-Louis-Pierre Vidal (d. 1929)

1913 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poppies in a Vase

Pierre Bonnard (d. 1947)

1926 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.