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Pierre Duhamel (d. 1686)
ca. 1660–80 · Case: painted enamel on gold; Movement: gilded brass and steel, partly blued
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
189 ms. The Metropolitan Museum of Art, Collection API (Open Access)
483 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6,402 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Watch
Pierre Duhamel (d. 1686)
ca. 1660–80 · Case: painted enamel on gold; Movement: gilded brass and steel, partly blued
Cleared · Public Domain
live
Funerary Scene in a Temple
Pierre Moreau (d. 1798)
ca. 1760 · Etching
Cleared · Public Domain
live
Las Meninas: the family of Philip IV in the foreground with the Infanta Margarita in the centre, Velázquez standing painting at left, the King and Queen reflected in the mirror in the background
Pierre Audouin (d. 1822)
1799 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Havana, in Amerique
Pierre Mortier (d. 1711)
1690–1710 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mexico, in Amerique
Pierre Mortier (d. 1711)
1690–1710 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quebec, in Amerique
Pierre Mortier (d. 1711)
1690–1710 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Augustine, Florida, in Amerique
Pierre Mortier (d. 1711)
1690–1710 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Rene Francois de Beauvau
Pierre Drevet (d. 1738)
1727 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
More Drops in the Bucket
Thomas Nast (d. 1902)
1893 · Electrotype proof of a drawing, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pierre Drops In
John Sloan (d. 1951)
1903 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pierre Vidal
Marie-Louis-Pierre Vidal (d. 1929)
1913 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Poppies in a Vase
Pierre Bonnard (d. 1947)
1926 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.