
Fragment with the Triumph of Dionysos and the Labors of Herakles
Unrecorded maker
4th–6th century · Wool, linen; plain weave, tapestry weave
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
559 ms. The Metropolitan Museum of Art, Collection API (Open Access)
373 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 30 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragment with the Triumph of Dionysos and the Labors of Herakles
Unrecorded maker
4th–6th century · Wool, linen; plain weave, tapestry weave
Cleared · Public Domain
live
Pilgrim's Medallion with Saint Symeon the Younger
Unrecorded maker
c. 1100 · Metalwork, lead
Cleared · CC0
livePilgrim's Badge of the Shrine of St. Thomas Becket at Canterbury
Unrecorded maker
1350–1400 · Cast tin-lead alloy
Cleared · Public Domain
live
Pilgrim's Medallion with St. Symeon the Younger
Unrecorded maker
c. 1100 · Metalwork, lead
Cleared · CC0
live
Pilgrim's Badge with Becket's Gloves
Unrecorded maker
15th century · Tin/pewter
Cleared · Public Domain
live
Pilgrim's Medallion with Saint Symeon the Younger
Unrecorded maker
c. 1100 · Metalwork, lead
Cleared · CC0
live
Low footed bowl with central medallion of the winged lion of St. Mark in colored enamels
Unrecorded maker
first half 16th century · Glass, enamelled and gilt
Cleared · Public Domain
live
Soup Ladle
F. A. Durgin (d. 1888)
ca. 1864 · Silver
Cleared · Public Domain
live
Crucifix with Saint Anthony of Padua
Kongo artist
16th–18th century (pendant figure); 19th century (cross) · Brass, wood, lead-tin alloy sheet, plant fiber cord
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Within a medallion surrounded by drapery, The Virgin and Child with Young St. John the Baptist, plate 4 from "Panneaux d'ornement"
Jean Le Pautre (d. 1682)
1654 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Within a medallion surrounded by drapery, The Virgin and Child with Young St. John the Baptist, plate 4 from 'Panneaux d'ornement', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
ca. 1654 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
John Jarvis, Earl St. Vincent
Josiah Wedgwood and Sons (d. 9999)
ca. 1780–1800 · Black basalt ware
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.