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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    440 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    442 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 646 matching records exist across the two collections.

Results for "Pin Ornament"12 records

Institutions answered newest-first by record, interleaved

Bronze hook-pin by an unrecorded maker, The Metropolitan Museum of Art

Bronze hook-pin

Unrecorded maker

2nd millennium BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Pin Ornament by an unrecorded maker, The Cleveland Museum of Art

Pin Ornament

Unrecorded maker

c. 500–200 BCE · Metalwork, hammered and cut gold

Cleared · CC0

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Cleveland Museum of ArtSimilar
Gold necklace of linked strands by an unrecorded maker, The Metropolitan Museum of Art

Gold necklace of linked strands

Unrecorded maker

4th–3rd century BCE or later · Gold

Cleared · Public Domain

live
The MetSimilar
Pin Ornament by an unrecorded maker, The Cleveland Museum of Art

Pin Ornament

Unrecorded maker

c. 500–200 BCE · Metalwork, hammered and cut gold

Cleared · CC0

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Cleveland Museum of ArtSimilar
Top of a bridge pin by an unrecorded maker, The Metropolitan Museum of Art

Top of a bridge pin

Unrecorded maker

2nd–1st century BCE · Gilt bronze

Cleared · Public Domain

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The MetSimilar
Ornament with Bat Design by an unrecorded maker, The Cleveland Museum of Art

Ornament with Bat Design

Unrecorded maker

1200s · Metalwork, bronze

Cleared · CC0

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Cleveland Museum of ArtSimilar
Ornament or Head of a Pin by an unrecorded maker, The Metropolitan Museum of Art

Ornament or Head of a Pin

Unrecorded maker

7th–8th century · Bone; incised and inlaid with paint

Cleared · Public Domain

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The MetSimilar
Pin with Yarn Figure by an unrecorded maker, The Cleveland Museum of Art

Pin with Yarn Figure

Unrecorded maker

c. 300 BCE–200 CE · Jewelry, wood, yarn, paint

Cleared · CC0

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Cleveland Museum of ArtSimilar
Hair Ornament with Pin by an unrecorded maker, The Metropolitan Museum of Art

Hair Ornament with Pin

Unrecorded maker

8th–early 10th century · Gold

Cleared · Public Domain

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The MetSimilar
Ornament by an unrecorded maker, The Cleveland Museum of Art

Ornament

Unrecorded maker

1800s · Jewelry, Gold with green enamel ground, white sapphires, rubies, and pearls

Cleared · CC0

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Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Designs for Two Gold Stickpins and a Seperate Ornament

Edgar Gilstrap Simpson (d. 1945)

1899 · Graphite and gouache

In copyright

live
The MetSimilar
Vase Feuille d'Eau by Sèvres Porcelain Factory, The Cleveland Museum of Art

Vase Feuille d'Eau

Sèvres Porcelain Factory (d. 1756)

1858–62 · Ceramic, porcelain with gilt bronze mounts

Cleared · CC0

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Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.