Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    451 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    378 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,519 matching records exist across the two collections.

Results for "Piranesi State 2"12 records

Institutions answered newest-first by record, interleaved

Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)

Giovanni Battista Piranesi (d. 1778)

ca. 1749–50 · Etching, engraving, drypoint; second state of seven (Robison)

Cleared · Public Domain

live
The MetSimilar
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)

Giovanni Battista Piranesi (d. 1778)

ca. 1749–50 · Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Antichità Romane, tome 2

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raccolta di Alcuni Disegni del Barberi da Cento detto Il Guercino

Giovanni Battista Piranesi (d. 1778)

1764 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Page, from "Raccolta di Alcuni Disegni del Barberi da Cento detto Il Guercino"

Giovanni Battista Piranesi (d. 1778)

1764 · Etching in red and black ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ruins of Egyptian and Greek monuments, from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incesa da Giambattista Piranesi Architetto Veneziano" (Various Works of architecture, perspective, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)

Giovanni Battista Piranesi (d. 1778)

printed 1761–99 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior view of the ustrinum, of the Tomb of Mamia [...], from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 43

Francesco Piranesi (d. 1810)

1804 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Exterior view of the main door of the Tomb of Mamia [...], from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 42

Francesco Piranesi (d. 1810)

1805 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Large plan of the Temple of Isis, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 68

Francesco Piranesi (d. 1810)

1806 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sections of the three previous houses [...] in the City of Pompeii, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 55

Francesco Piranesi (d. 1810)

1804–7 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inscriptions found in different places in the Temple of Isis, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 72

Francesco Piranesi (d. 1810)

1804–07 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Piranesi State 2

Lothar Osterburg (d. 9999)

2008 · Photogravure with scraping, drypoint, aquatint spitbite, and line etching tea stained

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.