
Arundel House from the South
Wenceslaus Hollar (d. 1677)
1646 · Etching, only state
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1483 ms. The Metropolitan Museum of Art, Collection API (Open Access)
361 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,109 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Arundel House from the South
Wenceslaus Hollar (d. 1677)
1646 · Etching, only state
Cleared · Public Domain
live
Pirna: The Obertor from the South
Bernardo Bellotto (d. 1780)
mid-1750s · Oil on canvas
Cleared · Public Domain
live
Entrance to The Hague from the South East
Jacob Elias La Fargue (d. 1776)
1750–76 · Pen and brown ink, wash, heightened with white gouache
Cleared · Public Domain
live
Dumbarton Rock from the South
Joseph Farington (d. 1821)
1788 · Pen and gray ink and watercolor
Cleared · Public Domain
live
From the Catskills Looking South (from Sketchbook)
John William Casilear (d. 1893)
1834–38 · Graphite on off-white wove paper
Cleared · Public Domain
live
Bolton Priory. From the South
Joseph Cundall (d. 1895)
1850s · Albumen silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Haarlem from the South
Jan van de Velde II (d. 1641)
1613–41 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pirna from the West, with the Dohna Gate
Reginald John Whistler (d. 1944)
ca. 1753–63 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sonnenstein Castle and Pirna from a Hill on the Konigstein Road
Bernardo Bellotto (d. 1780)
ca. 1756–ca. 1766 · Etching, ii
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Clackmannan Tower from the South West
John Clerk of Eldin (d. 1812)
1775 · Etching and drypoint; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Clackmannan Tower from the South West
John Clerk of Eldin (d. 1812)
1770–82 · Etching and drypoint; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sweatheart Abbey, from the South
Unknown
1860s–80s · Albumen silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.