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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    316 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    355 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,146 matching records exist across the two collections.

Results for "Pitcher decorated with ibexes"12 records

Institutions answered newest-first by record, interleaved

Cup decorated with ibexes by an unrecorded maker, The Metropolitan Museum of Art

Cup decorated with ibexes

Unrecorded maker

ca. 4000 BCE · Ceramic, paint

Cleared · Public Domain

live
The MetSimilar
Jar with ibexes by an unrecorded maker, The Metropolitan Museum of Art

Jar with ibexes

Unrecorded maker

ca. 2600–2500 BCE · Ceramic, paint

Cleared · Public Domain

live
The MetSimilar
Pitcher decorated with ibexes by an unrecorded maker, The Metropolitan Museum of Art

Pitcher decorated with ibexes

Unrecorded maker

ca. 800–600 BCE · Ceramic, paint

Cleared · Public Domain

live
The MetSimilar
Pitcher by an unrecorded maker, The Metropolitan Museum of Art

Pitcher

Unrecorded maker

1800–1830 · Earthenware, spatterware

Cleared · Public Domain

live
The MetSimilar
Pitcher by Norton and Fenton, The Metropolitan Museum of Art

Pitcher

Norton and Fenton (d. 1847)

1845–47 · Mottled brown earthenware

Cleared · Public Domain

live
The MetSimilar
Pitcher by an unrecorded maker, The Metropolitan Museum of Art

Pitcher

Unrecorded maker

ca. 1850 · Mottled brown earthenware

Cleared · Public Domain

live
The MetSimilar
Pitcher by United States Pottery Company, The Metropolitan Museum of Art

Pitcher

United States Pottery Company (d. 1852)

1852–58 · Parian porcelain

Cleared · Public Domain

live
The MetSimilar
Pitcher by an unrecorded maker, The Metropolitan Museum of Art

Pitcher

Unrecorded maker

1830–70 · Parian porcelain

Cleared · Public Domain

live
The MetSimilar
Pitcher by an unrecorded maker, The Metropolitan Museum of Art

Pitcher

Unrecorded maker

1830–70 · Parian porcelain

Cleared · Public Domain

live
The MetSimilar
Pitcher by an unrecorded maker, The Metropolitan Museum of Art

Pitcher

Unrecorded maker

1830–70 · Parian porcelain

Cleared · Public Domain

live
The MetSimilar
Pitcher by an unrecorded maker, The Metropolitan Museum of Art

Pitcher

Unrecorded maker

ca. 1885 · Blown satin pink glass

Cleared · Public Domain

live
The MetSimilar
Pitcher by an unrecorded maker, The Metropolitan Museum of Art

Pitcher

Unrecorded maker

ca. 1885 · Blown satin pink glass

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.