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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    160 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    819 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 20 matching records exist across the two collections.

Results for "Place de Mer, Antwerp"12 records

Institutions answered newest-first by record, interleaved

Livre de Moresques by Francesco di Pellegrino, The Metropolitan Museum of Art

Livre de Moresques

Francesco di Pellegrino (d. 1552)

1546 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Series of Cartouches, in: Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 49) by Cornelis Bos, The Metropolitan Museum of Art

Series of Cartouches, in: Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 49)

Cornelis Bos (d. 1556)

ca. 1545–60 · Engraving

Cleared · Public Domain

live
The MetSimilar
Watch by W.A., The Metropolitan Museum of Art

Watch

W.A.

1571 · Case and dial: gilded brass; Movement: gilded brass and polished steel

Cleared · Public Domain

live
The MetSimilar
A Winged Putto Riding a Sea Horse and a Lion (recto); The Three Graces (verso) by Denijs Calvaert, The Metropolitan Museum of Art

A Winged Putto Riding a Sea Horse and a Lion (recto); The Three Graces (verso)

Denijs Calvaert (d. 1619)

1574 · Pen and brown ink, over black chalk (or charcoal), touches of red chalk, highlighted with white gouache (recto); pen and brown ink, over black chalk (verso); framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Title Page, "Omnium Pene Europae, Asiae, Aphricae atque Americae Gentium Habitus" by Abraham de Bruyn, The Metropolitan Museum of Art

Title Page, "Omnium Pene Europae, Asiae, Aphricae atque Americae Gentium Habitus"

Abraham de Bruyn (d. 1587)

1580 · Engravings; Old full calf gold-tooled binding

Cleared · Public Domain

live
The MetSimilar
The Salzach Valley with a View of the Watzmann Massif in the Background by Frederik van Valkenborch, The Metropolitan Museum of Art

The Salzach Valley with a View of the Watzmann Massif in the Background

Frederik van Valkenborch (d. 1623)

ca. 1595–1600 · Pen and gray ink, brush and brown wash and blue watercolor; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 21) by Hans Vredeman de Vries, The Metropolitan Museum of Art

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 21)

Hans Vredeman de Vries (d. 1606)

1773 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 31) by Hans Vredeman de Vries, The Metropolitan Museum of Art

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 31)

Hans Vredeman de Vries (d. 1606)

1773 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Adam and Eve in Paradise by Unknown, The Metropolitan Museum of Art

Adam and Eve in Paradise

Unknown

18th Century · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nobilis Belga recens nunc recepto ornato; Principessae vel comitissae adolescentoris ornatus Belgicus; Nobilis faemina ad templum abiens cum palla Belgica; Nobilis Belga patrio ornatu

Abraham de Bruyn (d. 1587)

1580 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Place de Mer, Antwerp

Thomas Rowlandson (d. 1827)

1797 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Place de Mer, Antwerp

Thomas Rowlandson (d. 1827)

1797 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

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