Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    316 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    333 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 145 matching records exist across the two collections.

Results for "Plan and view of the siege of Arras: low"12 records

Institutions answered newest-first by record, interleaved

Plan and view of the city of Arras by Stefano della Bella, The Metropolitan Museum of Art

Plan and view of the city of Arras

Stefano della Bella (d. 1664)

1641 · Etching

Cleared · Public Domain

live
The MetSimilar
Plan and view of the siege of Arras: lower part of the plate with a topographical view with troops in the foreground descending a hill, upper part of the plate with a view of the town by Stefano della Bella, The Metropolitan Museum of Art

Plan and view of the siege of Arras: lower part of the plate with a topographical view with troops in the foreground descending a hill, upper part of the plate with a view of the town

Stefano della Bella (d. 1664)

1641 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Young Louis XIV: Arras Liberated from Siege by the Spanish Army by Jean Mauger, The Metropolitan Museum of Art

Young Louis XIV: Arras Liberated from Siege by the Spanish Army

Jean Mauger (d. 1722)

ca. 1654–1702 · Bronze

Cleared · Public Domain

live
The MetSimilar
Designs for the Theater at Nancy: View of Half the Proscenium and a Half a Section of It; End of the Ceiling; and Ground Plan by Francesco Galli Bibiena, The Metropolitan Museum of Art

Designs for the Theater at Nancy: View of Half the Proscenium and a Half a Section of It; End of the Ceiling; and Ground Plan

Francesco Galli Bibiena (d. 1739)

1659–1739 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Plan of ancient Rome with a view of the Pantheon lower left and a triumphal arch lower right by Carlo Nolli, The Metropolitan Museum of Art

Plan of ancient Rome with a view of the Pantheon lower left and a triumphal arch lower right

Carlo Nolli (d. 1775)

1748 · Etching, sixteen separate sheets joined and backed on linen

Cleared · Public Domain

live
The MetSimilar
Views of a Theater (Bayreuth): Profile View of Facade and Half of the Plan by Giuseppe Galli Bibiena, The Metropolitan Museum of Art

Views of a Theater (Bayreuth): Profile View of Facade and Half of the Plan

Giuseppe Galli Bibiena (d. 1756)

1696–1756 · Pen, brown ink, and gray wash; the plan with rose wash

Cleared · Public Domain

live
The MetSimilar
A View of the Present Seat of War, at and Near New York, in An Astronomical Diary; or, Almanack for the year of Christian Æra, 1777 by Nathaniel Low, The Metropolitan Museum of Art

A View of the Present Seat of War, at and Near New York, in An Astronomical Diary; or, Almanack for the year of Christian Æra, 1777

Nathaniel Low (d. 1808)

1776 · Woodcut and letterpress

Cleared · Public Domain

live
The MetSimilar
View of Lyon by Philippe Auguste Hennequin, The Metropolitan Museum of Art

View of Lyon

Philippe Auguste Hennequin (d. 1762)

ca. 1793–95 · Pen and brown ink, brush and gray wash, over traces of black chalk on two joined sheets of paper

Cleared · Public Domain

live
The MetSimilar
Panoramic View of New York, from the East River by Robert Havell Jr., The Metropolitan Museum of Art

Panoramic View of New York, from the East River

Robert Havell Jr. (d. 1878)

1844 · Engraving and aquatint with watercolor

Cleared · Public Domain

live
The MetSimilar
Dunraven Cliffs - Low Tide by John Dillwyn Llewelyn, The Metropolitan Museum of Art

Dunraven Cliffs - Low Tide

John Dillwyn Llewelyn (d. 1882)

1853–56 · Salted paper print

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Façade, plan, and section view of the Siena Cathedral

Maximilian Joseph Limpach

1739 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Soldiers at Arras

John Singer Sargent (d. 1925)

1918 · Watercolor and graphite on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.