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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    441 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    302 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 113 matching records exist across the two collections.

Results for "Plan of Several Tomb Chambers discovered"12 records

Institutions answered newest-first by record, interleaved

Estate Figure by an unrecorded maker, The Metropolitan Museum of Art

Estate Figure

Unrecorded maker

ca. 1981–1975 B.C. · Wood, gesso, paint

Cleared · Public Domain

live
The MetSimilar
Model of a Granary with Scribes by an unrecorded maker, The Metropolitan Museum of Art

Model of a Granary with Scribes

Unrecorded maker

ca. 1981–1975 B.C. · Wood, plaster, paint, linen, grain

Cleared · Public Domain

live
The MetSimilar
Model of a procession of offering bearers by an unrecorded maker, The Metropolitan Museum of Art

Model of a procession of offering bearers

Unrecorded maker

ca. 1981–1975 B.C. · Plastered and painted wood, linen

Cleared · Public Domain

live
The MetSimilar
Model Cattle stable from the tomb of Meketre by an unrecorded maker, The Metropolitan Museum of Art

Model Cattle stable from the tomb of Meketre

Unrecorded maker

ca. 1981–1975 B.C. · Plastered and painted wood, gesso

Cleared · Public Domain

live
The MetSimilar
Canopic Coffin in the Form of Duamutef by an unrecorded maker, The Metropolitan Museum of Art

Canopic Coffin in the Form of Duamutef

Unrecorded maker

ca. 924–891 BCE · Wood (sycamore), paint, stucco

Cleared · Public Domain

live
The MetSimilar
Canopic Coffin in the form of Hapy by an unrecorded maker, The Metropolitan Museum of Art

Canopic Coffin in the form of Hapy

Unrecorded maker

ca. 924–891 BCE · Wood (sycamore), paint, stucco

Cleared · Public Domain

live
The MetSimilar
Canopic Coffin in the Form of Imseti by an unrecorded maker, The Metropolitan Museum of Art

Canopic Coffin in the Form of Imseti

Unrecorded maker

ca. 924–891 BCE · Wood (sycamore), paint, stucco

Cleared · Public Domain

live
The MetSimilar
Canopic Coffin in the form of Qebehsenuef by an unrecorded maker, The Metropolitan Museum of Art

Canopic Coffin in the form of Qebehsenuef

Unrecorded maker

ca. 924–891 BCE · Wood (sycamore), paint, stucco

Cleared · Public Domain

live
The MetSimilar
Relief from the Tomb of Nespekashuty by an unrecorded maker, The Metropolitan Museum of Art

Relief from the Tomb of Nespekashuty

Unrecorded maker

656–650 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Design for a Freestanding Tomb Seen in Elevation and Plan by Antonio da Sangallo, the Younger, The Metropolitan Museum of Art

Design for a Freestanding Tomb Seen in Elevation and Plan

Antonio da Sangallo, the Younger (d. 1546)

1530–35 · Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan of Several Tomb Chambers discovered in 1751 in the Villa de'Cinque, outside the Porta Salaria near the Grotta Pallotta, tome 2, tavola 48 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan of the Tomb of Chambers of the Freedman of the Household of L. Arruntius, tome 2, tavola 8 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

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