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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    239 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    280 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 105 matching records exist across the two collections.

Results for "Plan of a tomb on the Appian Way in Vign"12 records

Institutions answered newest-first by record, interleaved

Design for a Freestanding Tomb Seen in Elevation and Plan by Antonio da Sangallo, the Younger, The Metropolitan Museum of Art

Design for a Freestanding Tomb Seen in Elevation and Plan

Antonio da Sangallo, the Younger (d. 1546)

1530–35 · Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements

Cleared · Public Domain

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The MetSimilar
Plan and view of the city of Arras by Stefano della Bella, The Metropolitan Museum of Art

Plan and view of the city of Arras

Stefano della Bella (d. 1664)

1641 · Etching

Cleared · Public Domain

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The MetSimilar
Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica Via Appia nella Vigna Buonamici), from "Le Antichità Romane" by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica Via Appia nella Vigna Buonamici), from "Le Antichità Romane"

Giovanni Battista Piranesi (d. 1778)

1756 · Etching

Cleared · Public Domain

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The MetSimilar
View of a large structure, remains of the Tomb of the Metelli on the Appian Way about five miles from Porta S. Sebastiano, in the village of S. Maria Nuova..., tome 3, tavola 15 from "Le Antichità Romane" (Roman Antiquities) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

View of a large structure, remains of the Tomb of the Metelli on the Appian Way about five miles from Porta S. Sebastiano, in the village of S. Maria Nuova..., tome 3, tavola 15 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Plan of a Tomb Outside the Porta S. Sebastiano on the Appian Way within the Village of Santa Maria Nuova..., tome 2, tavola 6 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan of a tomb on the ancient Appian Way in the Buonamici Vineyard, tome 3, tavola 20 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan of a Tomb on the Ancient Appian Way near the Buonamici Vineyards, tome 2, tavola 36 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan of a tomb outside of Porta S. Sebastiano on the ancient Appian Way in the Vigna Buonamici..., tome 3, tavola 9 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Figure Etrusque trouvée sur une Urne sepulchrale, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Restes du Sepulchre de la Famille Metella, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sepulcre de Cecilia Metella dit Capo di Bove, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ancient tomb on the Appian Way, tavola 26 a from "Antichità d'Albano e di Castel Gandolfo Descritte ed incise da Giovambatista Piranesi" (Antiquities of Albano and of Castel Gandolfo described and etched by Giovambattista Piranesi)

Giovanni Battista Piranesi (d. 1778)

1764–70 · Etching

In copyright

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The MetSimilar

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