
Plan of the City of Rome
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state (printed from 12 plates)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
808 ms. The Metropolitan Museum of Art, Collection API (Open Access)
395 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 257 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plan of the City of Rome
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state (printed from 12 plates)
Cleared · Public Domain
live
Plan of the City of Rome. Part 1 showing the Villa Medici and Piazza del Popolo
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state.
Cleared · Public Domain
live
Plan of the City of Rome. Part 10 with the Tiber and the Villa Farnesina
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state.
Cleared · Public Domain
live
Plan of the City of Rome. Part 11 with the San Pancrazio (left bank)
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state.
Cleared · Public Domain
live
Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta.
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state.
Cleared · Public Domain
live
Plan of the City of Rome. Part 3 with the Santa Maria Maggiore, the Pantheon and Trajan's Column
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state.
Cleared · Public Domain
live
Plan of the City of Rome. Part 5 with the Baths of Caracalla, the Santa Sabina and Part of the Tiber
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state.
Cleared · Public Domain
live
Plan of the City of Rome. Part 6 with the Aurelian city wall, the Porta Portuensis (Ostiensis?) and the Sepulcre of Caius Cestius.
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state.
Cleared · Public Domain
live
Plan of the City of Rome. Part 7 with a Dedication to Camillo Pamphili, the Vatican and Part of the City Wall
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state.
Cleared · Public Domain
live
Plan of the City of Rome. Part 8 with the Castel Sant'Angelo
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state.
Cleared · Public Domain
live
Plan of ancient Rome with a view of the Pantheon lower left and a triumphal arch lower right
Carlo Nolli (d. 1775)
1748 · Etching, sixteen separate sheets joined and backed on linen
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plan of the City of Rome
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state (printed from 12 plates)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.