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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    361 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    825 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 551 matching records exist across the two collections.

Results for "Plan of the ground floor of the pavillio"11 records

Institutions answered newest-first by record, interleaved

Houghton Hall, Norfolk, Ground Floor (Basement) Plan by Isaac Ware, The Metropolitan Museum of Art

Houghton Hall, Norfolk, Ground Floor (Basement) Plan

Isaac Ware (d. 1766)

1735 · Pen and black ink

Cleared · Public Domain

live
The MetSimilar
Floor Plan for the Renovations of the Château de Rambouillet by Jean Augustin Renard, The Metropolitan Museum of Art

Floor Plan for the Renovations of the Château de Rambouillet

Jean Augustin Renard (d. 1807)

ca. 1783 · Pen and black ink, brush and pink, black, and gray wash

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo Barberini (floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo delli Re d'Inghilterra (floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo Farnese (floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo Spada (floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan of the Ground Floor (The Great Floor), Houghton Hall, Norfolk

Isaac Ware (d. 1766)

1735 · Pen and black ink, brush and gray wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan of the Pheasant Ground at Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ground plan of the Baths of Caracalla

Francesco Piranesi (d. 1810)

ca. 1790 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ground-floor Plan of Nork, the Seat of Lord Arden, near Epsom

Owen Carter (d. 1859)

1836 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan of the ground floor of the pavillion (Plan de Rez de chaussée du Pavillon), plate 2 from "Project for a country house" (Projet d'une maison de campagne pour un particulier...)

Anonymous, French, 18th century (d. 1800)

18th century · Engraving

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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