Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1153 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    364 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,636 matching records exist across the two collections.

Results for "Plans for the Exterior and Floors of the"11 records

Institutions answered newest-first by record, interleaved

The Designs of Inigo Jones, Consisting of Plans and Elevations for Publick and Private Buildings by William Kent, The Metropolitan Museum of Art

The Designs of Inigo Jones, Consisting of Plans and Elevations for Publick and Private Buildings

William Kent (d. 1748)

1727 · Illustrations: etching and engraving

Cleared · Public Domain

live
The MetSimilar
Plans of the Ground and First Floors of the Chateau of Marly by Ange Jacques Gabriel, The Metropolitan Museum of Art

Plans of the Ground and First Floors of the Chateau of Marly

Ange Jacques Gabriel (d. 1782)

1764 · Pen and black and brown ink, brush and gray, and rose wash, over graphite

Cleared · Public Domain

live
The MetSimilar
Studies of the Pavilion at Fonthill, Wiltshire and Plans of the Ground and First Floors (recto); Studies for the Pavilion in Tudor-Gothic Style (verso) by Anonymous, British, 19th century, The Metropolitan Museum of Art

Studies of the Pavilion at Fonthill, Wiltshire and Plans of the Ground and First Floors (recto); Studies for the Pavilion in Tudor-Gothic Style (verso)

Anonymous, British, 19th century (d. 1900)

after 1824 · Pen and ink, brush and wash, over graphite

Cleared · Public Domain

live
The MetSimilar
Study for the Astor Library, New York by Alexander Jackson Davis, The Metropolitan Museum of Art

Study for the Astor Library, New York

Alexander Jackson Davis (d. 1892)

1843 · Watercolor, ink and graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plans for a Mill and the living quarters

Bernhardt Christoph Anckerman (d. 1754)

ca. 1730–40 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rural Architecture: Consisting of Regular Designs Of Plans and Elevations For Buildings in the Country...

Robert Morris (d. 1754)

1750 · Illustrations: etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plans and elevations for Great Saxham House, Suffolk, the Seat of Hutchinson Mure, Esq.

Robert Adam (d. 1792)

1779 · Pen and ink, brush and wash, watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plans for the Exterior and Floors of the Château de Bagatelle

Pierre Lapie (d. 1850)

1817 · Pen and black ink, watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Villa in the Oriental Style (elevation and plans)

Kidd (d. 1900)

ca. 1835 · Lithograph with touches of watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plans for the Landscaping around an Undefined Villa

Franz Xavier Heissinger

ca. 1870–80 · Pen and black ink on prepared linen

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Art School, plans, elevation, section, and perspective

John Edgar Barthel (d. 2011)

1947 · Graphite, gouache, pen and green ink, black wash, and gray marker

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.