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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    1850 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    317 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,116 matching records exist across the two collections.

Results for "Plaque from a Cross with the Eagle of Sa"9 records

Institutions answered newest-first by record, interleaved

Plaque with Saint John the Evangelist by an unrecorded maker, The Metropolitan Museum of Art

Plaque with Saint John the Evangelist

Unrecorded maker

early 9th century · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Plaque with Agnus Dei on a Cross between Emblems of the Four Evangelists by an unrecorded maker, The Metropolitan Museum of Art

Plaque with Agnus Dei on a Cross between Emblems of the Four Evangelists

Unrecorded maker

1000–1050 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Plaque with the Symbol of the Evangelist John by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Symbol of the Evangelist John

Unrecorded maker

ca. 1100 · Champlevé and cloisonné enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Central Plaque of a Cross by an unrecorded maker, The Metropolitan Museum of Art

Central Plaque of a Cross

Unrecorded maker

ca. 1185–95 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Plaque from a Cross with the Eagle of Saint John by an unrecorded maker, The Metropolitan Museum of Art

Plaque from a Cross with the Eagle of Saint John

Unrecorded maker

ca. 1185–95 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Plaque from a Cross with the Winged Man of Saint Matthew by an unrecorded maker, The Metropolitan Museum of Art

Plaque from a Cross with the Winged Man of Saint Matthew

Unrecorded maker

ca. 1185–95 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Appliqué Plaque with a Standing Eagle by an unrecorded maker, The Metropolitan Museum of Art

Appliqué Plaque with a Standing Eagle

Unrecorded maker

12th century · Brass; cast, gilded

Cleared · Public Domain

live
The MetSimilar
Plaque from a Cross with a Saint or Angel Holding the Host by an unrecorded maker, The Metropolitan Museum of Art

Plaque from a Cross with a Saint or Angel Holding the Host

Unrecorded maker

ca. 1190–1200 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Plaque with the Descent from the Cross by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Descent from the Cross

Unrecorded maker

ca. 1320–40 · Elephant ivory, whale bone, traces of paint, and gilding

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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