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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    351 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Plaque with Christ Presenting the Keys t"10 records

Institutions answered newest-first by record, interleaved

Plaque with Saint Peter by an unrecorded maker, The Metropolitan Museum of Art

Plaque with Saint Peter

Unrecorded maker

550–600 · Silver, niello, originally partially gilded

Cleared · Public Domain

live
The MetSimilar
Plaque with Christ Receiving Magdeburg Cathedral from Emperor Otto I by an unrecorded maker, The Metropolitan Museum of Art

Plaque with Christ Receiving Magdeburg Cathedral from Emperor Otto I

Unrecorded maker

ca. 962–968 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Chasse of Champagnat by an unrecorded maker, The Metropolitan Museum of Art

Chasse of Champagnat

Unrecorded maker

ca. 1150 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Plaque with Christ Presenting the Keys to Saint Peter and the Law to Saint Paul by an unrecorded maker, The Metropolitan Museum of Art

Plaque with Christ Presenting the Keys to Saint Peter and the Law to Saint Paul

Unrecorded maker

ca. 1150–1200 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Saint Sebastian by Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa), The Metropolitan Museum of Art

Saint Sebastian

Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)

1566 · Bronze

Cleared · Public Domain

live
The MetSimilar
Christ and the Two Thieves Crucified by Michelangelo Buonarroti, The Metropolitan Museum of Art

Christ and the Two Thieves Crucified

Michelangelo Buonarroti (d. 1564)

ca. 1560–70 · Bronze

Cleared · Public Domain

live
The MetSimilar
Christ bearing the cross by Ferdinando Tacca, The Metropolitan Museum of Art

Christ bearing the cross

Ferdinando Tacca (d. 1686)

mid-17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Christ on the Cross by Grégoire Huret, The Metropolitan Museum of Art

Christ on the Cross

Grégoire Huret (d. 1670)

17th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Virgin of the Immaculate Conception by Lorenzo Vaccaro, The Metropolitan Museum of Art

Virgin of the Immaculate Conception

Lorenzo Vaccaro (d. 1706)

late 17th century · Bronze, fire-gilt; polychromy, silver

Cleared · Public Domain

live
The MetSimilar
Banquet of the gods by Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa), The Metropolitan Museum of Art

Banquet of the gods

Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)

16th century or later · Bronze

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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