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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    315 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    403 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 5,768 matching records exist across the two collections.

Results for "Plaque with Two Saints"12 records

Institutions answered newest-first by record, interleaved

Two-Sided Plaque with Gazelles by an unrecorded maker, The Metropolitan Museum of Art

Two-Sided Plaque with Gazelles

Unrecorded maker

ca. 1550–664 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Pendant Triptych with an Onyx Cameo of the Nativity by an unrecorded maker, The Cleveland Museum of Art

Pendant Triptych with an Onyx Cameo of the Nativity

Unrecorded maker

c. 1460–1500; cameo: c. 1250–1300 · Enamel, basse-taille enamel on gold; onyx cameo

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Limestone plaque with two eyes by an unrecorded maker, The Metropolitan Museum of Art

Limestone plaque with two eyes

Unrecorded maker

480–310 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Ceremonial Cross of Count Liudolf by an unrecorded maker, The Cleveland Museum of Art

Ceremonial Cross of Count Liudolf

Unrecorded maker

shortly after 1038 · Metalwork, gold: worked in repoussé; cloisonné enamel; intaglio gems; pearls; wood core

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Limestone plaque with two eyes in relief by an unrecorded maker, The Metropolitan Museum of Art

Limestone plaque with two eyes in relief

Unrecorded maker

ca. 50 BCE–50 CE · Limestone

Cleared · Public Domain

live
The MetSimilar
Plaque with Two Saints by an unrecorded maker, The Metropolitan Museum of Art

Plaque with Two Saints

Unrecorded maker

6th century · Silver, partially gilded

Cleared · Public Domain

live
The MetSimilar
Plaque with Christ enthroned with two Apostles by an unrecorded maker, The Metropolitan Museum of Art

Plaque with Christ enthroned with two Apostles

Unrecorded maker

850–875 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Plaque with the Calling of Saints Peter and Andrew by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Calling of Saints Peter and Andrew

Unrecorded maker

ca. 1160–80 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Plaque with Saints James, Matthew, and Thomas by an unrecorded maker, The Metropolitan Museum of Art

Plaque with Saints James, Matthew, and Thomas

Unrecorded maker

ca. 1150–75 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Plaque with Saints Peter and Paul by an unrecorded maker, The Metropolitan Museum of Art

Plaque with Saints Peter and Paul

Unrecorded maker

late 14th–15th century · Steatite (black)

Cleared · Public Domain

live
The MetSimilar
Plaque with Two Mudfish by Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, The Metropolitan Museum of Art

Plaque with Two Mudfish

Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists

ca. 1540–70 · Brass

Cleared · Public Domain

live
The MetSimilar
Plaque with Saints and Donor by an unrecorded maker, The Metropolitan Museum of Art

Plaque with Saints and Donor

Unrecorded maker

16th century · Painted enamel with gilded copper and silver frame on wood

Cleared · Public Domain

live
The MetSimilar

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