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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    527 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    295 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 33 matching records exist across the two collections.

Results for "Plate: Nina Simone"12 records

Institutions answered newest-first by record, interleaved

Armorial dish: Supper at the House of Simon the Pharisee by Maestro Giorgio Andreoli, The Metropolitan Museum of Art

Armorial dish: Supper at the House of Simon the Pharisee

Maestro Giorgio Andreoli (d. 1550)

1528 · Maiolica (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Portrait of Archduchess Isabella Clara Eugenia, Spanish Regent of the Low Countries, as a Nun by Anonymous, The Metropolitan Museum of Art

Portrait of Archduchess Isabella Clara Eugenia, Spanish Regent of the Low Countries, as a Nun

Anonymous

ca. 1628–56 · Engraving

Cleared · Public Domain

live
The MetSimilar
Bowl with cover and stand by F.S.S., The Metropolitan Museum of Art

Bowl with cover and stand

F.S.S. (d. 1690)

ca. 1680 · Silver, silver gilt

Cleared · Public Domain

live
The MetSimilar
"Balloon" Shelf Clock by Simon Willard, The Metropolitan Museum of Art

"Balloon" Shelf Clock

Simon Willard (d. 1848)

1780–90 · Mahogany, pine; brass, iron, steel, lead, synthetic cord (modern)

Cleared · Public Domain

live
The MetSimilar
La Rouerie de Dame Simone, plate 7 from "The Decameron" by Léopold Flameng, The Metropolitan Museum of Art

La Rouerie de Dame Simone, plate 7 from "The Decameron"

Léopold Flameng (d. 1911)

1873 · Etching

Cleared · Public Domain

live
The MetSimilar
La Rouerie de Dame Simone, plate 7 from "The Decameron" by Léopold Flameng, The Metropolitan Museum of Art

La Rouerie de Dame Simone, plate 7 from "The Decameron"

Léopold Flameng (d. 1911)

1873 · Etching; proof before letter

Cleared · Public Domain

live
The MetSimilar
Plate 6: Terrible fate of a young woman who after a calumny was snatched by the devil and dragged to hell by José Guadalupe Posada, The Metropolitan Museum of Art

Plate 6: Terrible fate of a young woman who after a calumny was snatched by the devil and dragged to hell

José Guadalupe Posada (d. 1913)

ca. 1896 · Type-metal engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 6: the story of the Pisan saints, here the conversion of Saint Ranieri, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)

Carlo Lasinio (d. 1838)

ca. 1808–12 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 7: the story of the Pisan saints, here Saint Ranieri taking the habit of a hermit, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)

Carlo Lasinio (d. 1838)

ca. 1808–12 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 8: the story of the Pisan saints, here a miracle associated with Saint Ranieri, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)

Carlo Lasinio (d. 1838)

ca. 1808–12 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Familiar Scenes after Cantarini, with doctors around him, volume 3, plate 215 from "Monuments des Arts du Dessin"

Charles-François Gounod (d. 1893)

1829 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate: Nina Simone

Roberto Lugo (d. 9999)

2021 · Glazed ceramic

In copyright

live
The MetSimilar

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