
Armorial dish: Supper at the House of Simon the Pharisee
Maestro Giorgio Andreoli (d. 1550)
1528 · Maiolica (tin-glazed earthenware)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
527 ms. The Metropolitan Museum of Art, Collection API (Open Access)
295 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 33 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Armorial dish: Supper at the House of Simon the Pharisee
Maestro Giorgio Andreoli (d. 1550)
1528 · Maiolica (tin-glazed earthenware)
Cleared · Public Domain
live
Portrait of Archduchess Isabella Clara Eugenia, Spanish Regent of the Low Countries, as a Nun
Anonymous
ca. 1628–56 · Engraving
Cleared · Public Domain
live
Bowl with cover and stand
F.S.S. (d. 1690)
ca. 1680 · Silver, silver gilt
Cleared · Public Domain
live
"Balloon" Shelf Clock
Simon Willard (d. 1848)
1780–90 · Mahogany, pine; brass, iron, steel, lead, synthetic cord (modern)
Cleared · Public Domain
live
La Rouerie de Dame Simone, plate 7 from "The Decameron"
Léopold Flameng (d. 1911)
1873 · Etching
Cleared · Public Domain
live
La Rouerie de Dame Simone, plate 7 from "The Decameron"
Léopold Flameng (d. 1911)
1873 · Etching; proof before letter
Cleared · Public Domain
live
Plate 6: Terrible fate of a young woman who after a calumny was snatched by the devil and dragged to hell
José Guadalupe Posada (d. 1913)
ca. 1896 · Type-metal engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 6: the story of the Pisan saints, here the conversion of Saint Ranieri, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio (d. 1838)
ca. 1808–12 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 7: the story of the Pisan saints, here Saint Ranieri taking the habit of a hermit, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio (d. 1838)
ca. 1808–12 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 8: the story of the Pisan saints, here a miracle associated with Saint Ranieri, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio (d. 1838)
ca. 1808–12 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Familiar Scenes after Cantarini, with doctors around him, volume 3, plate 215 from "Monuments des Arts du Dessin"
Charles-François Gounod (d. 1893)
1829 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate: Nina Simone
Roberto Lugo (d. 9999)
2021 · Glazed ceramic
In copyright
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