Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    228 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,568 matching records exist across the two collections.

Results for "Plate 1, from "Ornaments for Gunmakers.."12 records

Institutions answered newest-first by record, interleaved

Various Designs for Rocaille Ornaments, plate 1 from an Untitled Series of Rocaille Ornaments for Frames by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Various Designs for Rocaille Ornaments, plate 1 from an Untitled Series of Rocaille Ornaments for Frames

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Panels of Ornament, nos. IIII–VI, plate 2 from "Designs for Various Ornaments" by Michelangelo Pergolesi, The Metropolitan Museum of Art

Panels of Ornament, nos. IIII–VI, plate 2 from "Designs for Various Ornaments"

Michelangelo Pergolesi (d. 1801)

May 1, 1777 · Etching; printed in dark brown ink

Cleared · Public Domain

live
The MetSimilar
Panels of Ornament, nos. XLII-XLVI, plate 14 from "Designs for Various Ornaments" by Michelangelo Pergolesi, The Metropolitan Museum of Art

Panels of Ornament, nos. XLII-XLVI, plate 14 from "Designs for Various Ornaments"

Michelangelo Pergolesi (d. 1801)

May 30, 1778 · Etching; printed in dark brown ink

Cleared · Public Domain

live
The MetSimilar
Ornament Designs, nos. CLVI to CLXXV, plate 33 from "Designs for Various Ornaments" by Michelangelo Pergolesi, The Metropolitan Museum of Art

Ornament Designs, nos. CLVI to CLXXV, plate 33 from "Designs for Various Ornaments"

Michelangelo Pergolesi (d. 1801)

July 1, 1781 · Etching; printed in dark brown ink

Cleared · Public Domain

live
The MetSimilar
Panels of Ornament, nos. CCLXXIV–CCXCIII, plate 48 from "Designs for Various Ornaments" by Michelangelo Pergolesi, The Metropolitan Museum of Art

Panels of Ornament, nos. CCLXXIV–CCXCIII, plate 48 from "Designs for Various Ornaments"

Michelangelo Pergolesi (d. 1801)

February 27, 1784 · Etching; printed in dark brown ink

Cleared · Public Domain

live
The MetSimilar
Candelabra, Vessels and Ornament, nos. 358–369, plate 54 from "Designs for Various Ornaments" by Michelangelo Pergolesi, The Metropolitan Museum of Art

Candelabra, Vessels and Ornament, nos. 358–369, plate 54 from "Designs for Various Ornaments"

Michelangelo Pergolesi (d. 1801)

March 20, 1785 · Etching and engraving, printed in brown ink

Cleared · Public Domain

live
The MetSimilar
Ceiling Ornament, nos. CCCXXII–CCCXXVI, plate 50 from "Designs for Various Ornaments" by Michelangelo Pergolesi, The Metropolitan Museum of Art

Ceiling Ornament, nos. CCCXXII–CCCXXVI, plate 50 from "Designs for Various Ornaments"

Michelangelo Pergolesi (d. 1801)

February 27, 1791 · Etching; printed in dark brown ink

Cleared · Public Domain

live
The MetSimilar
Panels of Ornament, nos. CCCLXXIII–CCLXXXIV, plate 58 from "Designs for Various Ornaments" by Michelangelo Pergolesi, The Metropolitan Museum of Art

Panels of Ornament, nos. CCCLXXIII–CCLXXXIV, plate 58 from "Designs for Various Ornaments"

Michelangelo Pergolesi (d. 1801)

April 29, 1791 · Etching

Cleared · Public Domain

live
The MetSimilar
Vases and Ornament, nos. CCCCLX–CCCCLXVIII, plate 69 from "Designs for Various Ornaments" by Michelangelo Pergolesi, The Metropolitan Museum of Art

Vases and Ornament, nos. CCCCLX–CCCCLXVIII, plate 69 from "Designs for Various Ornaments"

Michelangelo Pergolesi (d. 1801)

1801 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 1, from "Ornaments for Gunmakers..." (Plusieurs Pieces Et Autres Ornements pour les Arquebuziers...)

Claude Simonin (d. 1693)

1695 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 1, from "Ornemens d'Orfevrerie" (Gold- and Silverware Ornaments)

Paul Androuet Ducerceau (d. 1710)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Vessels, ornaments, etc.], Plate 1

Jean Bernard Toro (d. 1731)

before 1731 · Engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.