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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    260 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    398 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Plate 1: Lorenzo de' Medici, Duke of Urb"11 records

Institutions answered newest-first by record, interleaved

Cosimo I de' Medici (1519–1574), Duke of Florence by Baccio Bandinelli, The Metropolitan Museum of Art

Cosimo I de' Medici (1519–1574), Duke of Florence

Baccio Bandinelli (d. 1560)

1539–40 · Marble

Cleared · Public Domain

live
The MetSimilar
Allegory of the Course of Human Life (Choosing Virtue) by Jan van der Straet, called Stradanus, The Metropolitan Museum of Art

Allegory of the Course of Human Life (Choosing Virtue)

Jan van der Straet, called Stradanus (d. 1605)

1570 or before · Pen and brown ink, brush and brown wash, with heightening in opaque white; framing lines in pen and brown ink, by the artist

Cleared · Public Domain

live
The MetSimilar
Francesco I de' Medici, grand duke of Tuscany by Giambologna, The Metropolitan Museum of Art

Francesco I de' Medici, grand duke of Tuscany

Giambologna (d. 1608)

modeled 1585–87, cast ca. 1611 · Bronze

Cleared · Public Domain

live
The MetSimilar
Hermaphrodite by Giovanni Francesco Susini, The Metropolitan Museum of Art

Hermaphrodite

Giovanni Francesco Susini (d. 1653)

1639 · Bronze

Cleared · Public Domain

live
The MetSimilar
Tray (one of a set) by Doccia Porcelain Manufactory, The Metropolitan Museum of Art

Tray (one of a set)

Doccia Porcelain Manufactory (d. 1896)

1745–47 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Platter (one of a set) by Doccia Porcelain Manufactory, The Metropolitan Museum of Art

Platter (one of a set)

Doccia Porcelain Manufactory (d. 1896)

ca. 1745 · Hard-paste porcelain

Cleared · Public Domain

live
The MetSimilar
Platter (one of a set) by Doccia Porcelain Manufactory, The Metropolitan Museum of Art

Platter (one of a set)

Doccia Porcelain Manufactory (d. 1896)

ca. 1745 · Hard-paste porcelain

Cleared · Public Domain

live
The MetSimilar
Pair of five-light candelabra by Luigi Valadier, The Metropolitan Museum of Art

Pair of five-light candelabra

Luigi Valadier (d. 1785)

1774 · Bronze, fire-gilt; porphyry, iron (pin)

Cleared · Public Domain

live
The MetSimilar
Bull by Giambologna, The Metropolitan Museum of Art

Bull

Giambologna (d. 1608)

18th–19th century · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 1: Lorenzo de' Medici, Duke of Urbino and General of the Holy Church, with Giuliano, Duke of Nemours and General of the Florentines, and Giuliano, Knight of the Garter, accompanied by commanders and people of rank

Giuliano Giampiccoli (d. 1759)

1751 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 1: time, satyrs, and nymphs destroying books and manuscript, after frescoes in Palazzo Pitti of the Life of Lorenzo de' Medici

Francesco Polanzani (d. 1783)

ca. 1740–83 · Etching and engraving

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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