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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    369 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    288 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 161 matching records exist across the two collections.

Results for "Plate 10: The Ancient Gallery: a large c"12 records

Institutions answered newest-first by record, interleaved

Plate with the god Chahk by Maya artist(s), The Metropolitan Museum of Art

Plate with the god Chahk

Maya artist(s)

600-800 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Oil lamp in the form of a dwarf on a donkey’s head by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Oil lamp in the form of a dwarf on a donkey’s head

Andrea Briosco, called Riccio (d. 1532)

mid-16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Plate 10: The Ancient Gallery: a large covered gallery, light entering from the background, six figures standing atop piles of rocks in the foreground, from "Les soirées de Rome" by Hubert Robert, The Metropolitan Museum of Art

Plate 10: The Ancient Gallery: a large covered gallery, light entering from the background, six figures standing atop piles of rocks in the foreground, from "Les soirées de Rome"

Hubert Robert (d. 1808)

ca. 1763–64 · Etching

Cleared · Public Domain

live
The MetSimilar
Fort Edward (No. 10 of The Hudson River Portfolio) by John Hill, The Metropolitan Museum of Art

Fort Edward (No. 10 of The Hudson River Portfolio)

John Hill (d. 1850)

1822–23 · Aquatint printed in color with hand-coloring; first state of three (Koke)

Cleared · Public Domain

live
The MetSimilar
Anne Page, Slender and Shallow (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1) by Peter Simon, The Metropolitan Museum of Art

Anne Page, Slender and Shallow (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1)

Peter Simon (d. 1813)

first published 1792; reissued 1852 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Coupe interieure d'un ancien Temple, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"

Jean Barbault (d. 1762)

1770 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Archaeological Plate with Ornament Designs from the "Cirque de Caracalla" in Rome

Anonymous, French, 18th century (d. 1800)

18th century (?) · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elements of Drawing, In a Series of Examples Extracted from Pictures Painted by, and in the Gallery of Benjamin West, Esq., Historical Painter to the King, President of the Royal Academy, &c. &c.

Edward Scriven (d. 1841)

1813 · Illustrations: stipple engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Views of the Interior and Exterior of Windsor Castle

Joseph Nash (d. 1878)

1852 · Illustrations: lithographs with tint stones

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)

John Ruskin (d. 1900)

1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The New Home of the Metropolitan Museum of Art, New York, from "Harper's Weekly"

Charles Dater Weldon (d. 1935)

December 29, 1888 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Headache, A Print after George Cruikshank

Enrique Chagoya (d. 9999)

2010 · Etching with digitally printed color on gampi paper chine collé; printer's proof; 5/10

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.