Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
650 ms. The Metropolitan Museum of Art, Collection API (Open Access)
412 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 34 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
A soldier charging his caliver which is held stock down, from the Marksmen series, plate 23, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)
Jacques de Gheyn II (d. 1629)
1608 · Engraving; second state of two (New Hollstein)
Cleared · Public Domain
live
A soldier charging his musket, from the Musketeers series, plate 24, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)
Jacques de Gheyn II (d. 1629)
1608 · Engraving; second state of three (New Hollstein)
Cleared · Public Domain
live
Clock watch with astronomical dial and sundial
Jan Jansen Bockeltz (d. 1626)
ca. 1605–10 · Case: gilded brass; Dial: gilded brass, silver, and copper; Movement: gilded brass, partly blued steel, and silver
Cleared · Public Domain
live
Plate 3: An officer giving orders to a soldier in centre foreground, cannon at left, from "Various Military Caprices" (Varii capricci militari)
Stefano della Bella (d. 1664)
ca. 1641 · Etching
Cleared · Public Domain
live
Plate 10: a soldier charging a cannon in center, other soldiers with picks standing at left and right, from "Troops, cannons, and attacks on towns" (Dessins de quelques conduites de troupes, canons, et ataques de villes)
Stefano della Bella (d. 1664)
ca. 1640 · Etching
Cleared · Public Domain
live
An officer giving orders to a soldier in centre foreground, cannon at left, plate 3 from "Various Military Caprices" (Varii capricci militari)
Stefano della Bella (d. 1664)
ca. 1641 · Etching; second state of four
Cleared · Public Domain
live
Two soldiers shaking hands
Kelsterbach Pottery and Porcelain Manufactory (d. 1828)
1761–64 · Hard-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
live
Pennsylvania Magazine or American Monthly Museum
Robert Aitken (d. 1802)
January–December 1775 · Illustrations: engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A soldier blowing the match while covering the pan, from the Musketeers series, plate 10, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)
Jacques de Gheyn II (d. 1629)
1608 · Engraving; third state of four (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A soldier taking aim, from the Marksmen series, plate 10, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)
Jacques de Gheyn II (d. 1629)
1608 · Engraving; second state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 13: Cardinal Giovanni de' Medici travels to Rome to participate to the conclave with a procession of clergymen led by Giovanni de' Medici meeting a soldier outside of the city, with a procession behind him, from a series of 15 plates depicting designs for the wainscotting under the Vatican tapestries in the Sistine Chapel
Pietro Santi Bartoli (d. 1700)
1650–75 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
On Joue sa Robe (They gamble for His robe), plate 10 from "Chemin de Croix" (Stations of the Cross)
Jean Charlot (d. 1979)
1918–20 (re-printed 1977) · Woodcut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.