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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    136 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    374 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Plate 11: Ferdinand greeted by the Elect"11 records

Institutions answered newest-first by record, interleaved

Mirror clock by Master CR, The Metropolitan Museum of Art

Mirror clock

Master CR (d. 1565)

ca. 1565–70 · Case: gilded brass and gilded copper; Dial: gilded brass; Movement: plated frame of iron, iron wheels

Cleared · Public Domain

live
The MetSimilar
Automaton clock in the form of an eagle by an unrecorded maker, The Metropolitan Museum of Art

Automaton clock in the form of an eagle

Unrecorded maker

ca. 1630 · Case: gilded brass on base of ebony and ebony veneered on fruitwood; Movement: brass and iron

Cleared · Public Domain

live
The MetSimilar
Plate 11: Ferdinand greeted by the Elector of Cologne; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' by Pieter de Jode II, The Metropolitan Museum of Art

Plate 11: Ferdinand greeted by the Elector of Cologne; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'

Pieter de Jode II (d. 1674)

1636 · Engraving

Cleared · Public Domain

live
The MetSimilar
Longcase astronomical regulator by Ferdinand Berthoud, The Metropolitan Museum of Art

Longcase astronomical regulator

Ferdinand Berthoud (d. 1807)

ca. 1768–70 · Case: oak veneered with ebony and brass, with gilt-bronze mounts; Dial: white enamel; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
Mantel clock with alarm by Franz Xavier Gegenreiner, The Metropolitan Museum of Art

Mantel clock with alarm

Franz Xavier Gegenreiner (d. 1770)

case ca. 1710, movement ca. 1760–70 · Case: tortoiseshell backed with brass leaf, pearwood veneered with rosewood; and partly gilded silver; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
Commode à vantaux by David Roentgen, The Metropolitan Museum of Art

Commode à vantaux

David Roentgen (d. 1807)

ca. 1775–79 with later alterations · Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass

Cleared · Public Domain

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The MetSimilar
Watch by Daniel Vauchez, The Metropolitan Museum of Art

Watch

Daniel Vauchez (d. 1790)

ca. 1783–90 · Case: partly enameled gold set with pearls, gold bezel with diamonds set in silver; Dial: white enamel with openwork brass hands; Movement: brass and steel

Cleared · Public Domain

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The MetSimilar
Medici vase with a scene of the park at Saint-Cloud (one of a pair) by Sèvres Manufactory, The Metropolitan Museum of Art

Medici vase with a scene of the park at Saint-Cloud (one of a pair)

Sèvres Manufactory (d. 9999)

1811 · Hard-paste porcelain decorated in polychrome enamels, gold, gilt bronze

Cleared · Public Domain

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The MetSimilar
Marble-top table by Theophil Hansen, The Metropolitan Museum of Art

Marble-top table

Theophil Hansen (d. 1891)

ca. 1855–65 · Belgian black marble and semi-precious stones; painted pine, ebonized fruitwood; brass, gilt bronze

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Return of the Prodigal Son, plate 4 from The Story of the Prodigal Son

David Vinckboons (d. 1629)

1608 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Views of the Interior and Exterior of Windsor Castle

Joseph Nash (d. 1878)

1852 · Illustrations: lithographs with tint stones

In copyright

live
The MetSimilar

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2. Read the arithmetic

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