Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
595 ms. The Metropolitan Museum of Art, Collection API (Open Access)
372 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 106 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Plate 11: equestrian statue of Titus, seen three-quarters to the right, Mount Vesuvius erupting at left in the background, from 'Roman Emperors on Horseback'
Adriaen Collaert (d. 1618)
ca. 1587–89 · Engraving
Cleared · Public Domain
live
Plate 11: Titus Vespasian on horseback facing right, from "The First Twelve Emperors of Ancient Rome"
Antonio Tempesta (d. 1630)
1575–1630 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Compendium: Imagines XXIIII Caesarum; Naturralli e verri retratti di Cassa d'Austria; Trentaquatro Retratti (...) Pontefici
Donato Bertelli (d. 1623)
1579–84 · Engravings
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Titus Vespasianus, in an oval with trophies of musical instruments at top left and right, plate 11 from "XII Caesarum Romanorum Imagines"
Hans Vredeman de Vries (d. 1606)
1603 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Ambassadors of the Italian Rulers Before Margaret of Austria, from The Life of Margaret of Austria, plate 11
Antonio Tempesta (d. 1630)
1612 · Etching; first issue of two (Bartsch)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Ambassadors of the Italian Rulers Before Margaret of Austria, plate 11 from "The Life of Margaret of Austria"
Antonio Tempesta (d. 1630)
1612 · Etching; first issue of two (Bartsch)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 11: Portrait of Titus, from "The Emperors and Empresses of Rome"
Aegidius Sadeler II (d. 1629)
1597–1627 · Etching and engraving; second state of three (TIB)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 11, from "Samarkande"
Emile-Allain Séguy (d. 1951)
ca. 1914 · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fleurs (Flowers), Plate 11
Serge Gladky (d. 1939)
1929 · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 11, from "Nouvelles Compositions Décoratives, 1re Série"
Serge Gladky (d. 1939)
ca. 1930 · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Idées 1, Plate 11
Maurice-Jacques-Yvan Camus
ca. 1933 · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Idées 2, Plate 11
Georges Darcy (d. 1999)
ca. 1933 · Pochoir
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.