Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
164 ms. The Metropolitan Museum of Art, Collection API (Open Access)
305 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 20 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Plate 11: equestrian statue of Titus, seen three-quarters to the right, Mount Vesuvius erupting at left in the background, from 'Roman Emperors on Horseback'
Adriaen Collaert (d. 1618)
ca. 1587–89 · Engraving
Cleared · Public Domain
live
Plate 11: Titus Vespasian on horseback facing right, from "The First Twelve Emperors of Ancient Rome"
Antonio Tempesta (d. 1630)
1575–1630 · Etching
Cleared · Public Domain
live
Plate 11: Titus Vespasian looking to the right, from "The Twelve Caesars"
Anonymous
1610–40 · Etching and engraving
Cleared · Public Domain
live
Botanical plate with spray of lilies
Chelsea Porcelain Manufactory (d. 1784)
ca. 1755 · Soft-paste porcelain with enamel decoration
Cleared · Public Domain
live
The Hudson River Portfolio
William Guy Wall (d. 1864)
1821–25 · Aquatint printed in color with hand-coloring; first and second states
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 7: In frame at center, Diana embracing a sleeping Endymion; in roundel to the left, Orpheus in the underworld, looking back at Eurydice; in roundel to the right, the rape of Europa, from "Galeriae Farnesianae Icones"
Pietro Aquila (d. 1700)
ca. 1674 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 11: Curiale, looking to the left with his hat in his left hand, from Raccolta di XXIV Caricature Disegnate colla penna dell Celebre Cavallier Piet: Leon: Ghezzi [...]
Matthias Oesterreich (d. 1778)
1750 · Etchings
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
XII Views in Aquatinta From Drawings Taken on the Spot in South Wales
Paul Sandby (d. 1809)
1775 · Etching and aquatint; third state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Views in Calcutta
Thomas Daniell (d. 1840)
1786–88 · Hand-colored aquatints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Elements of Drawing, In a Series of Examples Extracted from Pictures Painted by, and in the Gallery of Benjamin West, Esq., Historical Painter to the King, President of the Royal Academy, &c. &c.
Edward Scriven (d. 1841)
1813 · Illustrations: stipple engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Views of the Interior and Exterior of Windsor Castle
Joseph Nash (d. 1878)
1852 · Illustrations: lithographs with tint stones
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.