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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    384 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    382 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Plate 11: the pyramid of Caius Cestius,"12 records

Institutions answered newest-first by record, interleaved

Pyramid of Caius Cestius, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Pyramid of Caius Cestius, from "Speculum Romanae Magnificentiae"

Anonymous

1547 · Engraving

Cleared · Public Domain

live
The MetSimilar
Pyramid of Caius Cestius, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Pyramid of Caius Cestius, from "Speculum Romanae Magnificentiae"

Anonymous

1547 · Engraving

Cleared · Public Domain

live
The MetSimilar
Pyramid of Caius Cestius, from "Speculum Romanae Magnificentiae" by Giovanni Ambrogio Brambilla, The Metropolitan Museum of Art

Pyramid of Caius Cestius, from "Speculum Romanae Magnificentiae"

Giovanni Ambrogio Brambilla (d. 1599)

1582 · Etching and engraving

Cleared · Public Domain

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The MetSimilar
Plate 11: the pyramid of Caius Cestius, a horse grazing, a foal suckling a mare, a seated shepherd and another standing, from "Roman landscapes and ruins" (Paysages et ruines de Rome) by Stefano della Bella, The Metropolitan Museum of Art

Plate 11: the pyramid of Caius Cestius, a horse grazing, a foal suckling a mare, a seated shepherd and another standing, from "Roman landscapes and ruins" (Paysages et ruines de Rome)

Stefano della Bella (d. 1664)

ca. 1643–48 · Etching

Cleared · Public Domain

live
The MetSimilar
Fragments from ancient monuments, plate 1 from "Roman landscapes and ruins" (Paysages et ruines de Rome) by Stefano della Bella, The Metropolitan Museum of Art

Fragments from ancient monuments, plate 1 from "Roman landscapes and ruins" (Paysages et ruines de Rome)

Stefano della Bella (d. 1664)

ca. 1646 · Etching; fourth state of nine (Talbierska)

Cleared · Public Domain

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The MetSimilar
The pyramid of Caius Cestius at right in the background, a horse grazing at center, a foal suckling a mare at left, two shepherds at right, plate 11 from "Roman landscapes and ruins" (Paysages et ruines de Rome) by Stefano della Bella, The Metropolitan Museum of Art

The pyramid of Caius Cestius at right in the background, a horse grazing at center, a foal suckling a mare at left, two shepherds at right, plate 11 from "Roman landscapes and ruins" (Paysages et ruines de Rome)

Stefano della Bella (d. 1664)

ca. 1646 · Etching; fourth state of nine (Talbierska)

Cleared · Public Domain

live
The MetSimilar
The Pyramid of Caius Cestius, with the Porta S. Paolo and adjoining road (Veduta del Sepolcro di Cajo Cestio), from "Vedute di Roma" by Giovanni Battista Piranesi, The Metropolitan Museum of Art

The Pyramid of Caius Cestius, with the Porta S. Paolo and adjoining road (Veduta del Sepolcro di Cajo Cestio), from "Vedute di Roma"

Giovanni Battista Piranesi (d. 1778)

ca. 1755 · Etching

Cleared · Public Domain

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The MetSimilar
Longcase clock by Hermann Achenbach, The Metropolitan Museum of Art

Longcase clock

Hermann Achenbach (d. 1825)

ca. 1774–75 · Case: oak veneered with maple, burl woods, holly, and hornbeam (all partly stained), and other woods; mother-of-pearl; gilded bronze; and brass; Dial: partly gilded and partly silvered brass and enameled and painted copper; Movement: brass and steel

Cleared · Public Domain

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The MetSimilar
The Tenth Plague of Egypt, part XII, plate 61 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

The Tenth Plague of Egypt, part XII, plate 61 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

January 1, 1816 · Etching and mezzotint; first state of four

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Partie de la Piramide de Caius Cestius, Colonne Milliaire, Barque antique de marbre connue sous le nom de la Navicella, Colonne Rostrale, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Piramide de Caius Cestius, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Recueil de Peintures Antiques trouvées a Rome. Tome Premier-Second.

Pietro Santi Bartoli (d. 1700)

1783, 1787 · Engraving

In copyright

live
The MetSimilar

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2. Read the arithmetic

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