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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    346 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    403 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Plate 12: Diana standing in a niche, twi"10 records

Institutions answered newest-first by record, interleaved

Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from "Mythological Gods and Goddesses" by Giovanni Jacopo Caraglio, The Metropolitan Museum of Art

Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from "Mythological Gods and Goddesses"

Giovanni Jacopo Caraglio (d. 1565)

1526 · Engraving

Cleared · Public Domain

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The MetSimilar
Jason Throws a Rock at the Giants (Cette moisson va son semeur chercher a fer tranchant...), from "Jason and the Golden Fleece" by René Boyvin, The Metropolitan Museum of Art

Jason Throws a Rock at the Giants (Cette moisson va son semeur chercher a fer tranchant...), from "Jason and the Golden Fleece"

René Boyvin (d. 1598)

1563 · Engraving

Cleared · Public Domain

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The MetSimilar
Watch by W.A., The Metropolitan Museum of Art

Watch

W.A.

1571 · Case and dial: gilded brass; Movement: gilded brass and polished steel

Cleared · Public Domain

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The MetSimilar
Academie de l'espee; ou se domonstrent par reigles mathématiques sur le fondement d'un cercle mystérieux, la théorie et pratique des vrais . . . by Girard Thibault, The Metropolitan Museum of Art

Academie de l'espee; ou se domonstrent par reigles mathématiques sur le fondement d'un cercle mystérieux, la théorie et pratique des vrais . . .

Girard Thibault (d. 1629)

1628 · Illustrated book

Cleared · Public Domain

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The MetSimilar
Hermaphrodite by Giovanni Francesco Susini, The Metropolitan Museum of Art

Hermaphrodite

Giovanni Francesco Susini (d. 1653)

1639 · Bronze

Cleared · Public Domain

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The MetSimilar
Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697) by Wenceslaus Hollar, The Metropolitan Museum of Art

Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697)

Wenceslaus Hollar (d. 1677)

1654 · Etching and engraving; fifth state of five, the plate reduced, as published in 1697 or 1698

Cleared · Public Domain

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The MetSimilar
Temple of Venus by Meissen Manufactory, The Metropolitan Museum of Art

Temple of Venus

Meissen Manufactory (d. 9999)

ca. 1727–28 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

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The MetSimilar
Pair of five-light candelabra by Luigi Valadier, The Metropolitan Museum of Art

Pair of five-light candelabra

Luigi Valadier (d. 1785)

1774 · Bronze, fire-gilt; porphyry, iron (pin)

Cleared · Public Domain

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The MetSimilar
Mantel clock with alarm by Franz Xavier Gegenreiner, The Metropolitan Museum of Art

Mantel clock with alarm

Franz Xavier Gegenreiner (d. 1770)

case ca. 1710, movement ca. 1760–70 · Case: tortoiseshell backed with brass leaf, pearwood veneered with rosewood; and partly gilded silver; Movement: gilded brass and steel

Cleared · Public Domain

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The MetSimilar
Cabinet by Melchior Baumgartner, The Metropolitan Museum of Art

Cabinet

Melchior Baumgartner

ca. 1655–59, engraved decorations ca. 1825–50 · Oak, pine, walnut, cedar, ebony, and rosewood; ivory veneer and silver veneer; silver; silver-gilt moldings; gilded yellow-metal mounts; the drawers lined with aquamarine-colored silk

Cleared · Public Domain

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The MetSimilar

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