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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    161 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    435 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Plate 13: Allegory on the Discord in Fra"9 records

Institutions answered newest-first by record, interleaved

Allegory of the Course of Human Life (Choosing Virtue) by Jan van der Straet, called Stradanus, The Metropolitan Museum of Art

Allegory of the Course of Human Life (Choosing Virtue)

Jan van der Straet, called Stradanus (d. 1605)

1570 or before · Pen and brown ink, brush and brown wash, with heightening in opaque white; framing lines in pen and brown ink, by the artist

Cleared · Public Domain

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The MetSimilar
Watch by W.A., The Metropolitan Museum of Art

Watch

W.A.

1571 · Case and dial: gilded brass; Movement: gilded brass and polished steel

Cleared · Public Domain

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The MetSimilar
Plate 10: Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes" by Pieter Nolpe, The Metropolitan Museum of Art

Plate 10: Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes"

Pieter Nolpe (d. 1614)

1638 · Etching

Cleared · Public Domain

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The MetSimilar
Plate 11: Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes" by Pieter Nolpe, The Metropolitan Museum of Art

Plate 11: Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes"

Pieter Nolpe (d. 1614)

1638 · Etching

Cleared · Public Domain

live
The MetSimilar
Plate 12: Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes" by Pieter Nolpe, The Metropolitan Museum of Art

Plate 12: Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes"

Pieter Nolpe (d. 1614)

1638 · Etching

Cleared · Public Domain

live
The MetSimilar
Plate 13: Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes" by Pieter Nolpe, The Metropolitan Museum of Art

Plate 13: Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes"

Pieter Nolpe (d. 1614)

1638 · Etching

Cleared · Public Domain

live
The MetSimilar
Plate 9: Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes" by Pieter Nolpe, The Metropolitan Museum of Art

Plate 9: Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes"

Pieter Nolpe (d. 1614)

1638 · Etching

Cleared · Public Domain

live
The MetSimilar
Marble-top table by Theophil Hansen, The Metropolitan Museum of Art

Marble-top table

Theophil Hansen (d. 1891)

ca. 1855–65 · Belgian black marble and semi-precious stones; painted pine, ebonized fruitwood; brass, gilt bronze

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs

Timothy Cole (d. 1931)

1892 · Wood engraving on Japan paper

In copyright

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The MetSimilar

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