Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    284 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    338 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "Plate 13: Arch of Settimius Severus 1. T"6 records

Institutions answered newest-first by record, interleaved

Longcase clock with calendar by Daniel Delander, The Metropolitan Museum of Art

Longcase clock with calendar

Daniel Delander (d. 1733)

probably ca. 1720 · Case: oak veneered with burl walnut and walnut-herringbone inlay; Dial: gilded and silvered brass; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
Plate 13: Arch of Settimius Severus 1. Temple of Concord. 2. Ascent to the Capitoline Hill (Arco di Settimio Severo. 1. Tempio della Concordia. 2. Salita di Campidoglio.), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori" by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Plate 13: Arch of Settimius Severus 1. Temple of Concord. 2. Ascent to the Capitoline Hill (Arco di Settimio Severo. 1. Tempio della Concordia. 2. Salita di Campidoglio.), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"

Giovanni Battista Piranesi (d. 1778)

ca. 1748 · Etching

Cleared · Public Domain

live
The MetSimilar
Cabinet by Melchior Baumgartner, The Metropolitan Museum of Art

Cabinet

Melchior Baumgartner

ca. 1655–59, engraved decorations ca. 1825–50 · Oak, pine, walnut, cedar, ebony, and rosewood; ivory veneer and silver veneer; silver; silver-gilt moldings; gilded yellow-metal mounts; the drawers lined with aquamarine-colored silk

Cleared · Public Domain

live
The MetSimilar
Pocket chronometer by François Czapek, The Metropolitan Museum of Art

Pocket chronometer

François Czapek (d. 1911)

ca. 1850–55 · Case: partly enameled gold; Dial: white enamel with gold hands; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Etchings for the Art-Union of London

The Etching Club (d. 1885)

1857 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)

John Ruskin (d. 1900)

1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.