Temperance
Giovanni Caccini (d. 1613)
1583–84 · Marble
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
312 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
400 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 24 matching records exist across the two collections.
Results for "Plate 13: Cardinal Giovanni de' Medici t"12 records
Institutions answered newest-first by record, interleaved
Plate 1, from "Le Massacre des Innocents" (The Massacre of the Innocents)
Jacques Callot (d. 1635)
ca. 1617–18 · Etching and engraving; first state of two (Lieure)
Cleared · Public Domain
liveThe MetSimilar
Hermaphrodite
Giovanni Francesco Susini (d. 1653)
1639 · Bronze
Cleared · Public Domain
liveThe MetSimilar
Fontana di Mercurio nel Giardino del Gran Duca di Toscana (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 3, 'Le Fontane ne' Palazzi di Roma' (plate 9)
Giovanni Francesco Venturini (d. 1700)
1691 or after · Etching
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 1: Cardinal Giovanni de' Medici on horseback at left returning to his country after his father's death, a river God at the right
Pietro Santi Bartoli (d. 1700)
ca. 1655–76 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 13: Cardinal Giovanni de' Medici leading a procession of clergymem on the way to Rome in order to participate to the conclave
Pietro Santi Bartoli (d. 1700)
ca. 1655–76 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 14: at left Cardinal Giovanni de' Medici, elected Pope as Leo X receiving tribute of the other cardinals
Pietro Santi Bartoli (d. 1700)
ca. 1655–76 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2: Cardinal Giovanni de' Medici at right entering Florence, a river God at the left
Pietro Santi Bartoli (d. 1700)
ca. 1655–76 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 3: Cardinal de' Medici in the center fleeing Florence disguised as a monk, at the left a giant emerging from the ground
Pietro Santi Bartoli (d. 1700)
ca. 1655–76 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 1: Cardinal Giovanni de' Medici returning to his country after the death of his father, from a series of 15 plates depicting designs for the wainscotting under the Vatican tapestries in the Sistine Chapel
Pietro Santi Bartoli (d. 1700)
1650–75 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 13: Cardinal Giovanni de' Medici travels to Rome to participate to the conclave with a procession of clergymen led by Giovanni de' Medici meeting a soldier outside of the city, with a procession behind him, from a series of 15 plates depicting designs for the wainscotting under the Vatican tapestries in the Sistine Chapel
Pietro Santi Bartoli (d. 1700)
1650–75 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4: Pope Clement VII, Charles V Holy Roman Emperor, Cardinal Ippolito de' Medici, and Piero Ridolfi, with people of courtly distinction
Giuliano Giampiccoli (d. 1759)
1751 · Engraving
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.