
Plate 11: Members of the clergy marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'
Cornelis Galle I (d. 1650)
1623 · Etching with hand coloring
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
124 ms. The Metropolitan Museum of Art, Collection API (Open Access)
364 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 40 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate 11: Members of the clergy marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'
Cornelis Galle I (d. 1650)
1623 · Etching with hand coloring
Cleared · Public Domain
live
Plate 12: Members of the clergy marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'
Cornelis Galle I (d. 1650)
1623 · Etching with hand coloring
Cleared · Public Domain
live
Plate 13: Members of the clergy marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'
Cornelis Galle I (d. 1650)
1623 · Etching with hand coloring
Cleared · Public Domain
live
Plate 51: Members of the court of justice marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'
Cornelis Galle I (d. 1650)
1623 · Etching with hand coloring
Cleared · Public Domain
live
Plate 6: Members of the court chapel choir marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'
Cornelis Galle I (d. 1650)
1623 · Etching with hand coloring
Cleared · Public Domain
live
Watch with scenes from the story of Rebekah at the well
Johannes van Ceulen (d. 1715)
ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver
Cleared · Public Domain
live
Mantel clock (pendule de chiminée)
Paul Gudin Le Jeune (d. 1755)
clock ca. 1750, figures decorated ca. 1737/38 · Case: hard-paste and soft-paste porcelain, with gilded-bronze mounts; Dial: white enamel with blue numerals for hours and blue numerals for minutes; Movement: brass and steel
Cleared · Public Domain
live
Side table (commode en console)
Bernard II van Risenburgh (d. 1767)
ca. 1755–60 · Oak and pine lacquered black and veneered with Japanese black and gold lacquer; gilt-bronze mounts; Sarrancolin marble top
Cleared · Public Domain
live
Longcase astronomical regulator
Ferdinand Berthoud (d. 1807)
ca. 1768–70 · Case: oak veneered with ebony and brass, with gilt-bronze mounts; Dial: white enamel; Movement: gilded brass and steel
Cleared · Public Domain
live
Landscape
Goya (Francisco de Goya y Lucientes) (d. 1828)
ca. 1807–10 · Etching, aquatint
Cleared · Public Domain
live
Female figure from an obu (house of images)
Igbo artist
Late 19th century · Wood, pigment
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.