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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    388 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    764 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 27 matching records exist across the two collections.

Results for "Plate 14: Mercury standing in a niche pl"12 records

Institutions answered newest-first by record, interleaved

Plate 14: Ceres in a niche, facing right, standing over a two-headed snake and holding a half-moon sickle in her right hand and a torch in her left hand, from "Mythological Gods and Goddesses" by Giovanni Jacopo Caraglio, The Metropolitan Museum of Art

Plate 14: Ceres in a niche, facing right, standing over a two-headed snake and holding a half-moon sickle in her right hand and a torch in her left hand, from "Mythological Gods and Goddesses"

Giovanni Jacopo Caraglio (d. 1565)

1526 · Engraving

Cleared · Public Domain

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The MetSimilar
Plate 14: Mercury standing in a niche playing his pipes, with the severed head of an old man and a sword at his feet, from "Mythological Gods and Goddesses" by Giovanni Jacopo Caraglio, The Metropolitan Museum of Art

Plate 14: Mercury standing in a niche playing his pipes, with the severed head of an old man and a sword at his feet, from "Mythological Gods and Goddesses"

Giovanni Jacopo Caraglio (d. 1565)

1526 · Engraving

Cleared · Public Domain

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The MetSimilar
Mercurii Templum, from a series depicting (reconstructed) buildings from Roman antiquity by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Mercurii Templum, from a series depicting (reconstructed) buildings from Roman antiquity

Anonymous, Italian, 16th century (d. 1600)

ca. 1530–50 · Engraving

Cleared · Public Domain

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The MetSimilar
Saint Sebastian by Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa), The Metropolitan Museum of Art

Saint Sebastian

Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)

1566 · Bronze

Cleared · Public Domain

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The MetSimilar
Triton by Giambologna, The Metropolitan Museum of Art

Triton

Giambologna (d. 1608)

1590s · Bronze

Cleared · Public Domain

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The MetSimilar
Academie de l'espee; ou se domonstrent par reigles mathématiques sur le fondement d'un cercle mystérieux, la théorie et pratique des vrais . . . by Girard Thibault, The Metropolitan Museum of Art

Academie de l'espee; ou se domonstrent par reigles mathématiques sur le fondement d'un cercle mystérieux, la théorie et pratique des vrais . . .

Girard Thibault (d. 1629)

1628 · Illustrated book

Cleared · Public Domain

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The MetSimilar
Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697) by Wenceslaus Hollar, The Metropolitan Museum of Art

Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697)

Wenceslaus Hollar (d. 1677)

1654 · Etching and engraving; fifth state of five, the plate reduced, as published in 1697 or 1698

Cleared · Public Domain

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The MetSimilar
David and Goliath by Francesco Fanelli, The Metropolitan Museum of Art

David and Goliath

Francesco Fanelli (d. 1665)

17th century cast · Bronze

Cleared · Public Domain

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The MetSimilar
Sultan Ahmed III Crowned in the Mosque at Eyups (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. I, pl. 17B) by William Hogarth, The Metropolitan Museum of Art

Sultan Ahmed III Crowned in the Mosque at Eyups (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. I, pl. 17B)

William Hogarth (d. 1764)

1723–24 · Etching and engraving

Cleared · Public Domain

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The MetSimilar
Longcase clock with calendar by Daniel Delander, The Metropolitan Museum of Art

Longcase clock with calendar

Daniel Delander (d. 1733)

probably ca. 1720 · Case: oak veneered with burl walnut and walnut-herringbone inlay; Dial: gilded and silvered brass; Movement: gilded brass and steel

Cleared · Public Domain

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The MetSimilar
Watch with portrait of Friedrick Wilhelm, the Great Elector by Johann G. Racine, The Metropolitan Museum of Art

Watch with portrait of Friedrick Wilhelm, the Great Elector

Johann G. Racine (d. 1748)

case ca. 1688, movement ca. 1750 · Case: painted enamel on gold; Movement: brass and steel

Cleared · Public Domain

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The MetSimilar
Mantel clock with alarm by Franz Xavier Gegenreiner, The Metropolitan Museum of Art

Mantel clock with alarm

Franz Xavier Gegenreiner (d. 1770)

case ca. 1710, movement ca. 1760–70 · Case: tortoiseshell backed with brass leaf, pearwood veneered with rosewood; and partly gilded silver; Movement: gilded brass and steel

Cleared · Public Domain

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The MetSimilar

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