Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    312 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    357 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 26 matching records exist across the two collections.

Results for "Plate 15: merchants in a boat, soldiers"12 records

Institutions answered newest-first by record, interleaved

Cupid holding a candle socket by an unrecorded maker, The Metropolitan Museum of Art

Cupid holding a candle socket

Unrecorded maker

early 16th century · Bronze, traces of brown lacquer patina; later marble base

Cleared · Public Domain

live
The MetSimilar
Clock watch with astronomical dial and sundial by Jan Jansen Bockeltz, The Metropolitan Museum of Art

Clock watch with astronomical dial and sundial

Jan Jansen Bockeltz (d. 1626)

ca. 1605–10 · Case: gilded brass; Dial: gilded brass, silver, and copper; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Plate 15: Ferdinand as Hannibal crossing the Alps; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' by Johannes Meursius, The Metropolitan Museum of Art

Plate 15: Ferdinand as Hannibal crossing the Alps; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'

Johannes Meursius (d. 1699)

1636 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate 8: battle between soldiers on a boat and naked men trying to climb in, a river god at right by Pietro Santi Bartoli, The Metropolitan Museum of Art

Plate 8: battle between soldiers on a boat and naked men trying to climb in, a river god at right

Pietro Santi Bartoli (d. 1700)

ca. 1660–90 · Etching

Cleared · Public Domain

live
The MetSimilar
Cupid bearing a quiver and a candle socket by an unrecorded maker, The Metropolitan Museum of Art

Cupid bearing a quiver and a candle socket

Unrecorded maker

mid-16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2

Rudolph Ackermann, London (d. 1832)

July–December 1809 · Illustrations: hand-colored etching, engraving, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1810 · Etching, drypoint, burin, burnisher

Cleared · Public Domain

live
The MetSimilar
Plate 15, from "World in Miniature" by Thomas Rowlandson, The Metropolitan Museum of Art

Plate 15, from "World in Miniature"

Thomas Rowlandson (d. 1827)

1816 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Soldiers Forcing Their Way into a Cottage, plate 1 from The Horrors of the Spanish War (Boereverdriet)

David Vinckboons (d. 1629)

1610 · Engraving; Hollstein's first state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 15: merchants in a boat, soldiers playing a game, etc., from "Virtù ed Arti Esercitate in Bologna" (Trades of Bologna)

Francesco Curti (d. 1670)

ca. 1650 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 4: The Medici are expelled from Florence with soldiers fighting, from a series of 15 plates depicting designs for the wainscotting under the Vatican tapestries in the Sistine Chapel

Pietro Santi Bartoli (d. 1700)

1650–75 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Views of the Interior and Exterior of Windsor Castle

Joseph Nash (d. 1878)

1852 · Illustrations: lithographs with tint stones

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.