Presentation Coin of Maximilian I
Ulrich Ursentaler (d. 1562)
minted, 1517; dies cut and dated, 1509 · Silver
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
277 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
386 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 40 matching records exist across the two collections.
Results for "Plate 16: Four studies of horse heads, f"12 records
Institutions answered newest-first by record, interleaved
Elijah in the Fiery Chariot
Master of the Barbarigo Reliefs (d. 1575)
ca. 1520 · Bronze, partially oil-gilt
Cleared · Public Domain
liveThe MetSimilar
Trotting horse
Giambologna (d. 1608)
probably 1587–91 · Bronze
Cleared · Public Domain
liveThe MetSimilar
Pegasus
Unrecorded maker
1575–1599 · Bronze, later marble base
Cleared · Public Domain
liveThe MetSimilar
The death of Saint Alexis Falconieri at Monte Senario
Bernardino Poccetti (d. 1612)
1548–1612 · Pen and brown ink, brush and brown wash, highlighted with white, over red chalk and some charcoal
Cleared · Public Domain
liveThe MetSimilar
Clock watch with astronomical dial and sundial
Jan Jansen Bockeltz (d. 1626)
ca. 1605–10 · Case: gilded brass; Dial: gilded brass, silver, and copper; Movement: gilded brass, partly blued steel, and silver
Cleared · Public Domain
liveThe MetSimilar
Plate 16: Four studies of horse heads, from "Various heads and figures" (Diverses têtes et figures)
Stefano della Bella (d. 1664)
1650 · Etching
Cleared · Public Domain
liveThe MetSimilar
Violin
Carlo Antonio Testore (d. 1765)
1737 · Spruce, maple
Cleared · Public Domain
liveThe MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1
Rudolph Ackermann, London (d. 1832)
January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 5
Rudolph Ackermann, London (d. 1832)
January–June 1811 · Illustrations: etching, hand-coloring, woodcut and fabric samples
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dream and Lie of Franco II
Pablo Picasso (d. 1973)
1937 · Etching and sugar-lift aquatint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Treble Violin
Carleen M. Hutchins (d. 2007)
1986 · Spruce, maple
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.