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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    633 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    310 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 35 matching records exist across the two collections.

Results for "Plate 16 from "Los Caprichos": For heav"12 records

Institutions answered newest-first by record, interleaved

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1797–98 · Etching, aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos" by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos"

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos" by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, aquatint, burin, touches of pen and ink (proof impression)

Cleared · Public Domain

live
The MetSimilar
Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 31 from "Los Caprichos": She prays for her (Ruega por ella) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint

Cleared · Public Domain

live
The MetSimilar
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, aquatint

Cleared · Public Domain

live
The MetSimilar
Plate 47 from "Los Caprichos": A gift for the master (Obsequio á el maestro) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 47 from "Los Caprichos": A gift for the master (Obsequio á el maestro)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 80 from "Los Caprichos": It is time (Ya es hora) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 80 from "Los Caprichos": It is time (Ya es hora)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Self-Portrait; Plate 1 from "Los Caprichos" by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Self-Portrait; Plate 1 from "Los Caprichos"

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.