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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    784 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    345 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 870 matching records exist across the two collections.

Results for "Plate 17: Detail of a wall from the Farn"12 records

Institutions answered newest-first by record, interleaved

The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17) by Joseph Mallord William Turner, The Metropolitan Museum of Art

The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17)

Joseph Mallord William Turner (d. 1851)

March 29, 1809 · Etching and mezzotint; third state of three (Finberg)

Cleared · Public Domain

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The MetSimilar
The Farm-Yard with the Cock, part IV, plate 17 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

The Farm-Yard with the Cock, part IV, plate 17 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

March 29, 1809 · Etching and mezzotint; first state of three (Finberg)

Cleared · Public Domain

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The MetSimilar
Plate 17, from "World in Miniature" by Thomas Rowlandson, The Metropolitan Museum of Art

Plate 17, from "World in Miniature"

Thomas Rowlandson (d. 1827)

1816 · Hand-colored etching

Cleared · Public Domain

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The MetSimilar
The Hudson River Portfolio by William Guy Wall, The Metropolitan Museum of Art

The Hudson River Portfolio

William Guy Wall (d. 1864)

1821–25 · Aquatint printed in color with hand-coloring; first and second states

Cleared · Public Domain

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The MetSimilar
Composition from the "Tragedies of Aeschylus," plate 17 (recto); Goddess statue from "The Suppliants," plate 7 (verso) by John Flaxman, The Metropolitan Museum of Art

Composition from the "Tragedies of Aeschylus," plate 17 (recto); Goddess statue from "The Suppliants," plate 7 (verso)

John Flaxman (d. 1826)

19th century · Graphite

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 17: Detail of a wall from the Farnese gallery; two classical statues, a nude male at left and Apollo with his lyre at right; above, a bust of a man (Seneca?) at left, and a painting of Diana discovering the pregnancy of Callisto at right, from "Galeriae Farnesianae Icones"

Pietro Aquila (d. 1700)

ca. 1674 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Useful, Composed of Ornaments of All Periods and Styles

John Phillip Rinn (d. 1905)

1877 · Photo lithographs

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 17, from "Samarkande"

Emile-Allain Séguy (d. 1951)

ca. 1914 · Pochoir

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fleurs (Flowers), Plate 17

Serge Gladky (d. 1939)

1929 · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

'The Petate' (a traditional Mexican wedding gift), from the Picture Book (plate 17)

Jean Charlot (d. 1979)

1933 · Colour lithograph on zinc

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Formes et Couleurs, Planche 17

Auguste H. Thomas (d. 1935)

ca. 1930 (?) · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 17, from "Nouvelles Compositions Décoratives, 1re Série"

Serge Gladky (d. 1939)

ca. 1930 · Pochoir

In copyright

live
The MetSimilar

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2. Read the arithmetic

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