Tupu (pin)
Inca artist(s)
1400–1535 CE · Copper alloy
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
227 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
415 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Results for "Plate 17: Nine studies of horse heads, f"12 records
Institutions answered newest-first by record, interleaved
Parade Shield Depicting the Conversion of Saint Paul
Unrecorded maker
ca. 1570 · Steel, gold, silver
Cleared · Public Domain
liveThe MetSimilar
Pegasus
Unrecorded maker
1575–1599 · Bronze, later marble base
Cleared · Public Domain
liveThe MetSimilar
The death of Saint Alexis Falconieri at Monte Senario
Bernardino Poccetti (d. 1612)
1548–1612 · Pen and brown ink, brush and brown wash, highlighted with white, over red chalk and some charcoal
Cleared · Public Domain
liveThe MetSimilar
Plate 17: nine studies of horse heads, from "Various heads and figures" (Diverses têtes et figures)
Stefano della Bella (d. 1664)
1650 · Etching
Cleared · Public Domain
liveThe MetSimilar
Plate 17: Nine studies of horse heads, from "Various heads and figures" (Diverses têtes et figures)
Stefano della Bella (d. 1664)
1650 · Etching
Cleared · Public Domain
liveThe MetSimilar
Watch with scenes from the story of Rebekah at the well
Johannes van Ceulen (d. 1715)
ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver
Cleared · Public Domain
liveThe MetSimilar
Longcase clock with calendar
Joseph Knibb (d. 1711)
ca. 1680–85 · Case: walnut and oak veneered with walnut; dial: gilded and silvered brass; movement: brass, steel
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Mason Jackson (d. 1903)
1865–70 · Illustrations: wood engravings and color lithographs
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing drawings, prints, manuscript pages and newspaper clippings
Marcus Clayton Stone (d. 1921)
1850–80 · Watercolor, pen and ink, wood engraving, engraving, printed text
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dream and Lie of Franco II
Pablo Picasso (d. 1973)
1937 · Etching and sugar-lift aquatint
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.