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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    194 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    307 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Plate 19: Triumphal arch, elevation of t"12 records

Institutions answered newest-first by record, interleaved

Design for a Freestanding Tomb Seen in Elevation and Plan by Antonio da Sangallo, the Younger, The Metropolitan Museum of Art

Design for a Freestanding Tomb Seen in Elevation and Plan

Antonio da Sangallo, the Younger (d. 1546)

1530–35 · Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements

Cleared · Public Domain

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The MetSimilar
Aerarii Publici Rome, from a series depicting (reconstructed) buildings from Roman antiquity by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Aerarii Publici Rome, from a series depicting (reconstructed) buildings from Roman antiquity

Anonymous, Italian, 16th century (d. 1600)

ca. 1530–50 · Engraving

Cleared · Public Domain

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The MetSimilar
Aerarii Publici Rome, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Aerarii Publici Rome, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engraving

Cleared · Public Domain

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The MetSimilar
Palatium Claudie Imperatoris, from a series depicting (reconstructed) buildings from Roman antiquity by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Palatium Claudie Imperatoris, from a series depicting (reconstructed) buildings from Roman antiquity

Anonymous, Italian, 16th century (d. 1600)

ca. 1530–50 · Engraving

Cleared · Public Domain

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The MetSimilar
Teatrum Bordeos [Transitorium Caesaris in later editions], from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Teatrum Bordeos [Transitorium Caesaris in later editions], from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engraving

Cleared · Public Domain

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The MetSimilar
Arch of Gallienus, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Arch of Gallienus, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

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The MetSimilar
Plate 12: Triumphal arch, elevation of the back facade, surmounted with the arms of Ferdinand and decorated with five mythical or heroic scenes; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' by Johannes Meursius, The Metropolitan Museum of Art

Plate 12: Triumphal arch, elevation of the back facade, surmounted with the arms of Ferdinand and decorated with five mythical or heroic scenes; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'

Johannes Meursius (d. 1699)

1636 · Engraving

Cleared · Public Domain

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The MetSimilar
Plate 19: Triumphal arch, elevation of the front, surmounted by a cloud bearing Ferdinand and royal ancestors; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' by Johannes Meursius, The Metropolitan Museum of Art

Plate 19: Triumphal arch, elevation of the front, surmounted by a cloud bearing Ferdinand and royal ancestors; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'

Johannes Meursius (d. 1699)

1636 · Engraving

Cleared · Public Domain

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The MetSimilar
Plate 27: Triumphal arch, elevation of the back, surmounted by allegorical figures and decorated with scenes from Roman mythology and history; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' by Johannes Meursius, The Metropolitan Museum of Art

Plate 27: Triumphal arch, elevation of the back, surmounted by allegorical figures and decorated with scenes from Roman mythology and history; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'

Johannes Meursius (d. 1699)

1636 · Engraving

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Views of the Interior and Exterior of Windsor Castle

Joseph Nash (d. 1878)

1852 · Illustrations: lithographs with tint stones

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Etchings for the Art-Union of London

The Etching Club (d. 1885)

1857 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)

John Ruskin (d. 1900)

1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé

In copyright

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The MetSimilar

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