Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
435 ms. The Metropolitan Museum of Art, Collection API (Open Access)
377 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife)
Emile Bernard (d. 1941)
1888 · Zincograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Go Kill My Husband (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Hand-colored zincograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Go Kill My Husband (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Zincograph, printed in sepia
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Hand-colored zincograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Countess Combing Her Hair (Esmérée) or Dancing Music (Esmérée)
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Good Carpenter or Destiny
Emile Bernard (d. 1941)
1892 · Zincograph printed in sienna
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Woman from Berkeley
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Woman from Berkeley, from "Les Cantilènes"
Emile Bernard (d. 1941)
1892 · Hand-colored zincograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2, Papier peint, "Les Iles", édité par René Gabriel, from "Papiers Peints et Tentures Modernes"
René Gabriel (d. 1950)
1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 36, Papier peint, édité par la Société des Arts graphiques modernes, from "Papiers Peints et Tentures Modernes"
Henri Clouzot
1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 7, Papier peint "Les Roses jaunes", édité par la Maison Martine, from "Papiers Peints et Tentures Modernes"
Henri Clouzot
1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.