
Andiron with figure of Orpheus (one of a pair)
Unrecorded maker
16th century · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
331 ms. The Metropolitan Museum of Art, Collection API (Open Access)
297 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Andiron with figure of Orpheus (one of a pair)
Unrecorded maker
16th century · Bronze
Cleared · Public Domain
live
Wig cabinet (cabinet de coiffure)
Johann Daniel Sommer II (d. 1698)
ca. 1685 · Oak and walnut veneered with ebony, ebonized wood, and marquetry of pewter, mother of pearl, and tortoiseshell colored red on the reverse; silver; brocaded damask (not original)
Cleared · Public Domain
live
Cabinet
André Charles Boulle (d. 1732)
ca. 1700 · Oak veneered with Macassar and Gabon ebony, ebonized fruitwood, burl wood, and marquetry of tortoiseshell and brass; gilt bronze
Cleared · Public Domain
live
Side chair (one of a pair)
Thomas Chippendale (d. 1779)
ca. 1755–60 · Mahogany; tent stitch embroidery on canvas
Cleared · Public Domain
live
Side Chair (one of a pair)
Thomas Chippendale (d. 1779)
ca. 1755–60 · Mahogany; tent stitch embroidery on canvas
Cleared · Public Domain
live
Side table (commode en console)
Bernard II van Risenburgh (d. 1767)
ca. 1755–60 · Oak and pine lacquered black and veneered with Japanese black and gold lacquer; gilt-bronze mounts; Sarrancolin marble top
Cleared · Public Domain
live
Longcase clock
Hermann Achenbach (d. 1825)
ca. 1774–75 · Case: oak veneered with maple, burl woods, holly, and hornbeam (all partly stained), and other woods; mother-of-pearl; gilded bronze; and brass; Dial: partly gilded and partly silvered brass and enameled and painted copper; Movement: brass and steel
Cleared · Public Domain
live
Side Chair
Samuel McIntire (d. 1811)
1794–99 · Mahogany, ebony, ash, birch, white pine
Cleared · Public Domain
live
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2
Rudolph Ackermann, London (d. 1832)
July–December 1809 · Illustrations: hand-colored etching, engraving, woodcut, and textile samples
Cleared · Public Domain
live
Andiron with figure of Mercury (one of a pair)
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)
19th century? · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cabinet ornamented with a battle scene, from Cabinets, plate 2, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; third state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2, part of Obak Cabinets (T4)
Obak Cigarettes
1911 · Albumen print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.