Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
337 ms. The Metropolitan Museum of Art, Collection API (Open Access)
369 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 49 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Saint Mark, his head turned in profile to the left, with an open book in his right hand and a lion at his feet, plate 2 from "The Four Evangelists"
Sebald Beham (d. 1550)
1541 · Engraving; forth of four states
Cleared · Public Domain
live
Descrizione del Sacro Monte della Vernia (Description of the Sacred Mount Alverno)
Domenico Falcini (d. 1628)
1612 · Engraving
Cleared · Public Domain
live
Floorplan and Side View of an Altar, plate A(2) from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen"
Johann Michael Leüchte
printed ca. 1750–56 · Etching
Cleared · Public Domain
live![Vignette en regard du nom de Aug. de St. Aubin (Vignette next to the name of Augustin de Saint-Aubin), volume 2, plate 150 of "Dictionnaire des Graveurs. Anciens et Modernes Depuis l'origine de la Gravure, par F. Basan Graveur, Seconde Edition [...] 1789" by Augustin de Saint-Aubin, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP829014.jpg)
Vignette en regard du nom de Aug. de St. Aubin (Vignette next to the name of Augustin de Saint-Aubin), volume 2, plate 150 of "Dictionnaire des Graveurs. Anciens et Modernes Depuis l'origine de la Gravure, par F. Basan Graveur, Seconde Edition [...] 1789"
Augustin de Saint-Aubin (d. 1807)
1762 · Etching and engraving; second state of four (Bocher)
Cleared · Public Domain
live
Medici vase with a scene of the park at Saint-Cloud (one of a pair)
Sèvres Manufactory (d. 9999)
1811 · Hard-paste porcelain decorated in polychrome enamels, gold, gilt bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2: Saint Anthony at Age Five Showing His Prodigious Knowledge of the Gospels, from "The Life of Saint Anthony the Abbot"
Antonio Tempesta (d. 1630)
1598 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2: The Visitation of Saint Elizabeth and the Virgin, from "The Mysteries of the Rosary"
Raffaello Schiaminossi (d. 1622)
1602–9 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2, from 'Images des Fêtes Mobiles' (Images of Moveable Feasts from the Christian Calendar), part of "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Jacques Callot (d. 1635)
1636 · Etching; second state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2: Saint Peter with other saints and trumpeting angels, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome
Carlo Cesi (d. 1682)
1680 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Visitation of the Virgin, volume 2, plate 110 from "Monuments des Arts du Dessin"
Jean-Baptiste Mauzaisse (d. 1844)
1829 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frescoes by celebrated Italian artists from the XIV and XV centuries (Affreschi celebri del XIV e XV secolo)
Carlo Lasinio (d. 1838)
1817–1838 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2: Kava ceremony (Qaravi Yaqona)
Jean Charlot (d. 1979)
1978 · Color lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.