
Angels Carrying the Cross with Saints below (upper left section of the Last Judgment)
Niccolò della Casa (d. 1548)
1548 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
240 ms. The Metropolitan Museum of Art, Collection API (Open Access)
310 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 207 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Angels Carrying the Cross with Saints below (upper left section of the Last Judgment)
Niccolò della Casa (d. 1548)
1548 · Engraving
Cleared · Public Domain
live
Perspective view of the interior of a hall, with cross-vault decorated with grotesques, plate 18 from "Scenographiae sive Perspectivae"
Hans Vredeman de Vries (d. 1606)
1601 · Etching; second state of two (Hollstein)
Cleared · Public Domain
live
Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault
Bartolomeo Crivellari (d. 1800)
1756 · Etching
Cleared · Public Domain
live
Plate 2: cross-section of the Hall of the Institute of Bologna
Bartolomeo Crivellari (d. 1800)
1756 · Etching
Cleared · Public Domain
live
Plate 3: cross-section of the Hall of the Institute of Bologna
Bartolomeo Crivellari (d. 1800)
1756 · Etching
Cleared · Public Domain
live
Plate 4: cross-section of the Hall of the Institute of Bologna, with the entrance to the room
Giovanni Battista Brustolon (d. 1796)
1756 · Etching
Cleared · Public Domain
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Clarinet in C
Firth, Hall & Pond
ca. 1833–45 · Wood, ivory, brass
Cleared · Public Domain
live
Perspectival Cross-Section of a Venetian Palace
Eugène-Emmanuel Viollet-le-Duc (d. 1879)
1830–79 · Pen and gray ink, brush and light wash, metal point framing lines, with small spatters of brown wash
Cleared · Public Domain
live
Josie Hall, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
W. Duke, Sons & Co. (d. 1920)
1880s · Albumen photograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perspective view of the interior of a hall, with cross-vault decorated with grotesques, plate 18, from Scenographiae sive Perspectivae
Hans Vredeman de Vries (d. 1606)
Published 1601 · Etching; second state of two (Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Croix Reçue (The cross received), plate 2 from "Chemin de Croix" (Stations of the Cross)
Jean Charlot (d. 1979)
1918–20 (re-printed 1977) · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Botanical Specimen #2
Gary Schneider (d. 9999)
1992, printed 1994 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.