Plate (part of a service)
Sèvres Manufactory (d. 9999)
1784 · Soft-paste porcelain
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
322 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
388 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 207 matching records exist across the two collections.
Results for "Plate 2: the Florentine Republic present"12 records
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, plate 2 from "Libro de' Trofei"
Anonymous, Italian, 16th century (d. 1600)
ca. 1550–53 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Sons of God, Satan Amongst them, Present Themselves Before the Lord, from The Story of Job, plate 2
Philips Galle (d. 1612)
1563 · Engraving, first state of two (New Hollstein)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Sons of God, Satan Amongst Them, Present Themselves Before the Lord, plate 2 from "The Story of Job"
Philips Galle (d. 1612)
1563 · Engraving, first state of two (New Hollstein)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Peasant Family Threatened by Soldiers, plate 2 from The Horrors of the Spanish War (Boereverdriet)
David Vinckboons (d. 1629)
1610 · Engraving; Hollstein's first state of two
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Neües Danβerlein Büechel: Winter Und Sommer Gaertlein, Plate 2
Elisabeth Auingerin (d. 1700)
1691 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2, from "Livre Nouveau de Lambris"
Francois de Poilly (d. 1693)
before 1693 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2: the Florentine Republic presenting the Ducal mantle, the crown, and the scepter to Alessandro, the first duke of Florence, the artist holding a scroll at right
Giuliano Giampiccoli (d. 1759)
1751 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 20: Six Different Borders (plate 2 of 2), from "A New Book of Chinese Designs"
Matthias Darly (d. 1780)
1754 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Breaking up of the "Agamemnon," No. 2
Sir Francis Seymour Haden (d. 1910)
1880 · Etching and mezzotint; third state of three (Harrington); ninth state of nine (Schniederman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2, Papier peint, "Les Iles", édité par René Gabriel, from "Papiers Peints et Tentures Modernes"
René Gabriel (d. 1950)
1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Collection "Décors et Couleurs" Album No. 2, Planche 3
Jean Burkhalter
[ca. 1930] · Pochoir
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.