Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    481 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    346 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 73 matching records exist across the two collections.

Results for "Plate 2 from "La Tauromaquia": Another w"12 records

Institutions answered newest-first by record, interleaved

Relief with enthroned ruler by Chakalte', The Metropolitan Museum of Art

Relief with enthroned ruler

Chakalte' (d. 825)

770 CE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Altra Vedvta in Prospettiva del Teatro et Giardino Contigvo di Mondragone in Frascati (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 2, 'Le fontane delle ville di Frascati' (plate 18) by Giovanni Battista Falda, The Metropolitan Museum of Art

Altra Vedvta in Prospettiva del Teatro et Giardino Contigvo di Mondragone in Frascati (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 2, 'Le fontane delle ville di Frascati' (plate 18)

Giovanni Battista Falda (d. 1678)

1691 or after · Etching

Cleared · Public Domain

live
The MetSimilar
Fontana di Belvedere á Frascati (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 2, 'Le fontane delle ville di Frascati' (plate 5) by Giovanni Battista Falda, The Metropolitan Museum of Art

Fontana di Belvedere á Frascati (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 2, 'Le fontane delle ville di Frascati' (plate 5)

Giovanni Battista Falda (d. 1678)

1691 or after · Etching

Cleared · Public Domain

live
The MetSimilar
Stanza de Venti nel Teatro di Belvedere di Frascati (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 2, 'Le fontane delle ville di Frascati' (plate 7) by Giovanni Battista Falda, The Metropolitan Museum of Art

Stanza de Venti nel Teatro di Belvedere di Frascati (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 2, 'Le fontane delle ville di Frascati' (plate 7)

Giovanni Battista Falda (d. 1678)

1691 or after · Etching

Cleared · Public Domain

live
The MetSimilar
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 2 from "La Tauromaquia": Another way of hunting on foot by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 2 from "La Tauromaquia": Another way of hunting on foot

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Vue de la Ville Chinoise (Cholen) Feuille No. 2, Saïgon, Cochinchine by Emile Gsell, The Metropolitan Museum of Art

Vue de la Ville Chinoise (Cholen) Feuille No. 2, Saïgon, Cochinchine

Emile Gsell (d. 1879)

1866 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Vue de la Ville Chinoise (Cholen) Feuille No. 2, Saïgon, Cochinchine by Emile Gsell, The Metropolitan Museum of Art

Vue de la Ville Chinoise (Cholen) Feuille No. 2, Saïgon, Cochinchine

Emile Gsell (d. 1879)

1866 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Etchings for the Art-Union of London

The Etching Club (d. 1885)

1857 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Journal des Dames et des Modes, No. 44 (10 August 1913)

Vaugirard

1913 · plates: hand colored engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.