
Plate with the god Chahk
Maya artist(s)
600-800 CE · Ceramic, slip
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
463 ms. The Metropolitan Museum of Art, Collection API (Open Access)
353 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 70 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate with the god Chahk
Maya artist(s)
600-800 CE · Ceramic, slip
Cleared · Public Domain
live
Plate 17: Venus chastising Cupid, who sits on a bed, with Psyche at right, from "The Story of Cupid and Psyche as told by Apuleius"
Master of the Die (d. 1560)
1530–60 · Engraving
Cleared · Public Domain
live
Plate 23: Psyche on the order of Venus departing to find the golden fleece, from "The Story of Cupid and Psyche as told by Apuleius"
Master of the Die (d. 1560)
1530–60 · Engraving
Cleared · Public Domain
live
Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso)
Sebastiano Conca (d. 1764)
ca. 1716–18 · Pen with black-brown and lighter brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on paper washed light brown (recto); pen and medium-brown ink, on unprepared buff paper (verso)
Cleared · Public Domain
live
Venus and Cupid
Tiziano Aspetti (d. 1607)
19th century · Bronze, on marble base
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bridge and construction of bridge, decorated with the Tuscan order, marked A-D, from Architectura oder Bauung der Antiquen auss dem Vitruvius, plate 4
Hans Vredeman de Vries (d. 1606)
Published 1619 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Five columns of the Composite order, marked A-E, including pedestal, column and entablature, from Architectura oder Bauung der Antiquen auss dem Vitruvius, plate 23
Hans Vredeman de Vries (d. 1606)
Published 1619 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of a palace with an open hall on groundfloor with canellated columns of the Ionic order, on the first floor a colonnade, plate 23, from Variæ Architecturæ Formae
Hans Vredeman de Vries (d. 1606)
Published after 1601 · Etching; second state of two (Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Neües Danβerlein Büechel: Winter Und Sommer Gaertlein, Plate 23
Elisabeth Auingerin (d. 1700)
1691 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Arched Niches, with a Vase at Left and Venus and Cupid at Right, from Nouveaux Liure de Bersseaux et Trilliages, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
1702 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Trompe-l'Oeil Ceiling with Mars and Venus Reclining on a Cloud, Flanked by Vertical Panels, from a Series of Six Plates with Ceiling Designs, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
27/6 V, plate 23 from "Footfalls"
Linda Karshan (d. 9999)
2014 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.