Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    752 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    278 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Plate 24: Gigs in action, from 'Caricatu"12 records

Institutions answered newest-first by record, interleaved

Spinario (boy pulling a thorn from his foot) by Severo Calzetta da Ravenna, The Metropolitan Museum of Art

Spinario (boy pulling a thorn from his foot)

Severo Calzetta da Ravenna (d. 1543)

first half of the 16th century? · Bronze on green marble base

Cleared · Public Domain

live
The MetSimilar
Spinario (boy pulling a thorn from his foot) by Severo Calzetta da Ravenna, The Metropolitan Museum of Art

Spinario (boy pulling a thorn from his foot)

Severo Calzetta da Ravenna (d. 1543)

mid-16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Plate H: Election and Coronation of Emperor Maximilian II by Anonymous, German, 17th century, The Metropolitan Museum of Art

Plate H: Election and Coronation of Emperor Maximilian II

Anonymous, German, 17th century (d. 1700)

1612 · Etching

Cleared · Public Domain

live
The MetSimilar
Automaton clock in the form of Urania, Muse of Astronomy by Paullus Schiller, The Metropolitan Museum of Art

Automaton clock in the form of Urania, Muse of Astronomy

Paullus Schiller (d. 1634)

ca. 1620–30 · Case: partly gilded and partly silvered brass, copper with traces of silver, ebony, and ebony veneer; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Commode by Jean François Cuvilliés the Elder, The Metropolitan Museum of Art

Commode

Jean François Cuvilliés the Elder (d. 1768)

ca. 1735–40 · Pine and linden wood; carved, partially painted, and gilded gesso, partly incised; Tegernsee limestone top

Cleared · Public Domain

live
The MetSimilar
The Bostonians Paying the Excise-Man, or Tarring & Feathering by Philip Dawe, The Metropolitan Museum of Art

The Bostonians Paying the Excise-Man, or Tarring & Feathering

Philip Dawe (d. 1809)

October 31, 1774 · Mezzotint and etching

Cleared · Public Domain

live
The MetSimilar
The Bostonians Paying the Excise-Man, or Tarring & Feathering by Philip Dawe, The Metropolitan Museum of Art

The Bostonians Paying the Excise-Man, or Tarring & Feathering

Philip Dawe (d. 1809)

October 31, 1774 · Mezzotint and etching

Cleared · Public Domain

live
The MetSimilar
Allgemeines historisches Taschenbuch, oder Abriss der merkwürdigsten neuen Welt-Begebenheiten: enthaltend für 1784 die Geschichte der Revolution von Nord-America [General historical pocketbook, summarizing noteworthy world news of 1784, with a History of the Revolution in North America] by Matthias Christian Sprengel, The Metropolitan Museum of Art

Allgemeines historisches Taschenbuch, oder Abriss der merkwürdigsten neuen Welt-Begebenheiten: enthaltend für 1784 die Geschichte der Revolution von Nord-America [General historical pocketbook, summarizing noteworthy world news of 1784, with a History of the Revolution in North America]

Matthias Christian Sprengel (d. 1803)

1784–87 · Illustrations: etching and engraving, some hand-colored; pen and ink and wash drawings

Cleared · Public Domain

live
The MetSimilar
Plate 24: Gigs in action, from 'Caricaturana,' published in Les Robert Macaires by Honoré Daumier, The Metropolitan Museum of Art

Plate 24: Gigs in action, from 'Caricaturana,' published in Les Robert Macaires

Honoré Daumier (d. 1879)

1838 · Lithograph on wove paper; second state of two (Delteil)

Cleared · Public Domain

live
The MetSimilar
Collier Second Model Five-Shot Flintlock Revolver by Elisha Haydon Collier, The Metropolitan Museum of Art

Collier Second Model Five-Shot Flintlock Revolver

Elisha Haydon Collier (d. 1856)

ca. 1820 · Steel, wood (walnut, rosewood), silver, brass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

24 Caricatures by Several Ladies, Gentlemen, Artists, &c.

Matthias Darly (d. 1780)

November 1, 1771 · Illustrations: etchings

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Base Runner, bakery card from the Speed Pictures series (D39-8), issued by Bell Bakeries, Inc.

Bell Bakeries, Inc.

1940s · Commercial color lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.