Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms
Goya (Francisco de Goya y Lucientes) (d. 1828)
1816 · Etching, aquatint, drypoint
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
435 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
308 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 35 matching records exist across the two collections.
Results for "Plate 25 from "La Tauromaquia": They loo"12 records
Institutions answered newest-first by record, interleaved
Plate 25 from "La Tauromaquia": They loose dogs on the bull
Goya (Francisco de Goya y Lucientes) (d. 1828)
1816 · Etching, burnished aquatint, drypoint
Cleared · Public Domain
liveThe MetSimilar
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure
Goya (Francisco de Goya y Lucientes) (d. 1828)
1816 · Etching, burnished aquatint, drypoint, burin
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of Design for a Vase with a Bacchanal Bas-Relief, from Vasses de la Maison Royalle de L'oo
Daniel Marot the Elder (d. 1752)
after 1703 · Engraving, etching in red-brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of Design for a Vase with a Square Body, from Vasses de la Maison Royalle de L'oo
Daniel Marot the Elder (d. 1752)
after 1703 · Engraving, etching in red-brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of Design for a Vase with Britannia, from Vasses de la Maison Royalle de L'oo
Daniel Marot the Elder (d. 1752)
after 1703 · Engraving, etching in red-brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of Design for a Vase with the Crowned Escutcheon of Great Britain, from Vasses de la Maison Royalle de L'oo
Daniel Marot the Elder (d. 1752)
after 1703 · Engraving, etching in red-brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of Design for a Vase with the Triumph of Amphitrite, from Vasses de la Maison Royalle de L'oo
Daniel Marot the Elder (d. 1752)
after 1703 · Engraving, etching in red-brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Zincograph, printed in sepia
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Hand-colored zincograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Countess Brushes Her Hair (Esmérée) or Dancing Music (Esmérée)
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Countess Combing Her Hair (Esmérée) or Dancing Music (Esmérée)
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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