
Plate 1, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"
Alexis Loir (d. 1713)
1660–1713 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1415 ms. The Metropolitan Museum of Art, Collection API (Open Access)
270 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 63 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate 1, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"
Alexis Loir (d. 1713)
1660–1713 · Etching
Cleared · Public Domain
live
Plate 2, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"
Alexis Loir (d. 1713)
1660–1713 · Etching
Cleared · Public Domain
live
Plate 3, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"
Alexis Loir (d. 1713)
1660–1713 · Etching
Cleared · Public Domain
live
Plate 4, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"
Alexis Loir (d. 1713)
1660–1713 · Etching
Cleared · Public Domain
live
Plate 5, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"
Alexis Loir (d. 1713)
1660–1713 · Etching
Cleared · Public Domain
live
Plate 6, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"
Alexis Loir (d. 1713)
1660–1713 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape in a medallion, from Ornements de panneaux à la romaine, plate 3, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
published 1667 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ceiling decoration with a central square flanked by olive branches, plate 3 from 'Desseins de Plaphons', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fireplace topped with an eagle with outstretched wings, plate 3 from 'Nouveaux dessins de cheminées à peu de frais', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses is rescued from the water, from Histoire de Moïse, plate 3, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rinceaux, from Rinceaux de différents feuillages, plate 3, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Hebrews worshipping God, from Histoire de Moïse, plate 3, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; second state of three (Préaud)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.